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Yojimbo – Remastered Edition Movie Streaming.
Movie Title: Yojimbo – Remastered Edition Yojimbo – Remastered Edition is available for streaming or downloading. Click Here to Stream or Download Yojimbo – Remastered Edition |
Although it lacks the scope of THE SEVEN SAMURAI, THRONE OF BLOOD, and other more widely known films by the well-known Akira Kurosawa, the 1961 YOJIMBO (also known as BODYGUARD) is one of the most considerable films of the second half of the 20th Century–and a film that was deeply influenced by American film. Even so, YOJIMBO stands on its occupy merits: it’s a blooming portion of cinema that will fascinate even those who normally turn up their noses at “movies with subtitles.”
In theory, the film is based on the 1929 Dashiell Hammett unusual RED HARVEST–but transports the basic epic to a period in Japan when the Samurai class has fallen on hard times and must sight employment as accepted body guards. Sanjuro Kuwabatake (brilliantly played by Toshiro Mifune, who appeared in several Kurosawa films) is such a one, a scruffy looking and aging warrior who finds himself caught between warring factions of a Japanese village and responds by playing the two against each other.
One of the film’s greatest assets is its visual style. Kurosawa is very clearly influenced by the sight of the American western here, and most particularly so, in my notion, by HIGH NOON. Consequently, YOJIMBO leaps the cultural divide with great ease–but Kurosawa uses the images of empty streets and the lone warrior to considerably different attain, presenting him as a unsafe figure who emerges from the dust and the wind to rip wide his foes. But the film does not rely on visual style alone: there is plenty of hard substance here, too. The residence is tightly pain, action-intensive, and laced with a dry and very unlit humor, and the cast is superlative throughout.
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As it borrowed from the American movie western, so did it influence American film in return, most obviously in the manufacture of the common Clint Eastwood “spaghetti westerns” of the 1970s–where it was essentially remade as A FIST Pudgy OF DOLLARS. But frankly Clint Eastwood never had it so good: with Kurosawa at the helm and Mifune as the lead, Eastwood’s “lone stranger” feels much tame in comparison.
The Criterion DVD offers the film in current widescreen and in the best possible condition short of a chunky digital restoration. As eminent elsewhere, there are occasional blips and lines–but honestly the film is so driving that you will barely observe them. The subtitles also seem to be a better translation than I’ve seen in any other version. YOJIMBO was my introduction to Japanese cinema. I hurry you to let it be yours as well.
GFT, Amazon reviewer
Being one of Kurosawa’s best known works, Yojimbo is indeed a classic and a elegant recognize in film craftsmanship. The visual compositions, performances, and fight sequences that Kurosawa delivers here are, as usual, luminous (and highly influential) . It must be said, however, that the film’s set is aesthetic confusing at times, especially in the second half with all the various characters and unlit intrigues that enter the mix. I personally have some worry keeping track of which characters are aligned with which of the two warring factions, and that becomes doubly difficult when the rival groups launch exchanging prisoners and whatnot. Of course it doesn’t really matter in terms of the film’s tone and meaning (the two groups are equally faulty and equally deserving of what Sanjuro does to them), but I detached like to be able to occupy what’s going on when I spy a samurai-western-action movie like this. Nevertheless, it is a suited film and certainly distinguished viewing for any fan of Kurosawa or samurai films. Criterion’s DVD edition, though, leaves a bit more to be desired. The only extra is the film’s trailer, which is in widescreen but is strangely and inexplicably shifted towards the bottom of the screen; and those of you with fine home theater systems will scrutinize a lot of pixellization and other problems in the visual presentation of the film itself. But worst of all is the sure fact that piece of the image is missing at the left and lawful edges of the screen– anybody watching the opening credits sequence can clearly peek that the words are spilling out of the characterize (causing the credits to read “Starrin Toshiro Mifun” with the last letters of words missing) . Criterion should have done something about this, especially with a film like this one where you know Kurosawa struggled to derive every aspect of visual detail fair accurate. Level-headed, the film makes up for these problems, and since this is the only American DVD of this movie, we don’t have too many alternatives…
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