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I have several of the graphic paperbacks from the X/1999 clamp production. I’ve read and puzzled over those, and now I have spent several hours with this DVD. There comes a point in the quest for value where one has to finally ponder why a work is the method it is. I don’t request every DVD or book to be a work of art, but I do inquire of that each such wretchedness have some sense of its purpose or potential value.
In the case of ‘X’, I confess I am mystified. On the surface, a young man (Kamui) returns to Tokyo at the behest of his dying mother to defend those he loves. But he fails to defend Kotori, who loves him, and forces his friend Fuuma to construct impossible choices. On the layer below this Kamui and Fuuma are doomed to become the vital antagonists in a struggle over whether the human bustle should be allowed to survive. In the ensuing fight, shared with the other dragons of heaven and earth, the destruction is sufficient to wonder whether the cure is worse than the disease.
In truth, the region is a pre-ordained ballet of opposing forces driven to a tragic conclusion. I am not familiar with Japanese literature, but ‘X’ reminds me of a Greek tragedy where anyone could terminate the inevitable ruin, but no one does. Kamui’s tragic flaw is his inability to act until it is too tedious. Fuuma, supposedly the villain of the allotment, seems to be the nobler of the two, simply because he throws himself into his role. All of the characters are disjointed archetypes, but despite all of the symbols and portents, nothing really gels.
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So this becomes an apocalypse in search of a cause. Harumitsu Shimuzu as establish together an proper collect, which seems to remove Kamui’s perpetual agonizing and the film’s ambivalent perfectly. The film’s theme, ‘Forever Love’ by Yoshiki, is worth keeping as well. But generous music and spellbinding artwork are not enough to overcome a skeletal residence that never moves in any direction for long. A discover at the final credits reveals that this was a production with a cast of hundreds, and perhaps that is the plight. Tragedy is best when it is not designed by committee.
Overall, I heard many broad reviews for this movie, so I decided to rent it. It was not what I expected. Perhaps, I was expecting too noteworthy from it, but it was a astronomical disappointment. It seems that too powerful money was spent in the art and not enough in station or character developement. After the movie ended, I can honestly say, I didn’t understand a thing.
At the open of the movie, they briefly list off the characters and their traits. That’s about it in the character developement department. From there, they define how the these characters need to do mankind or all humans will be obliterated. Mainly, they have to battle the “earth dragons” to set the Earth. That almost makes sense. Then, through all of the jumbled flashbacks, flashforwards, possible outcomes, precognitions, dream-sequences, and computer simulations, you secure out that the main character has to fight an execrable double of himself to determine the fate of the humanrace. Because of the premise, the whole movie sikes you up for a spectacular fight scene. In truth, it lasted maybe thirty seconds. It was extremely disappointing.
I don’t recommend this movie, if you are looking for an anime was situation, structure, or character developement. However, the art in itself, is rather resplendent. This visuals are fascinating, if not violent. I would definantly recommend this movie, if you are looking for an artsy, dramatic present and aren’t keen in yarn. But you would be wise to first rent this before you seriously think buying.
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