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WARNING: SPOILERS!
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The 2004-2005 will hopefully go down as one of the most significant seasons in current television history, not because there was such a plethora of expansive recent series-there weren’t-but because it was the beginning of the extinguish of the dominance of reality programming and the rebirth of the scripted television demonstrate. The two shows that are getting most of the credit for the sudden demise of the reality demonstrate are the two mega-hits on ABC, LOST and DESPERATE HOUSEWIVES, but I hope that UPN’s pretty VERONICA MARS will derive at least some credit. If LOST and VERONICA MARS are the face of things to reach, rather than WIFE SWAP or THE SWAN, then the future for TV could be very knowing indeed.
Of all the series that were developed in the wake of BUFFY THE VAMPIRE SLAYER, VERONICA MARS hues most closely to the unusual (especially in Buffy’s high school years) and is one of the best. [October 2005 addition: VERONICA MARS in its second season is highlighting the ties to BUFFY not merely by bringing BUFFY regular Alyson Hannigan abet for a brief appearance, but having Charisma Carpenter as a semi-regular and BUFFY creator Joss Whedon as a guest star in one episode in November. Salon.com did its fraction by awarding this years Buffy Award, for the best exhibit on TV neglected by the Emmys--and named for the Best Expose ever ignored by the Emmys--to VERONICA MARS.] If we were to report the modern recipe for the reveal, it is about 50% BUFFY, 20% NANCY DREW, 15% BEVERLY HILLS 90210, and 15% TWIN PEAKS. In other words, the prove is about a spruce cable blonde high school student who takes on do-badders and tilts the scales of justice, who is an amateur female sleuth, whose escapades all select play in her upper class high school with a contingent of working class students, and who in her spare time investigates the mystery of the death of her best friend Laura Palmer . . . er, ah, I mean Lily Kane.
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At the commence of the series, Veronica can peer help at a very abominable year. Her best friend died; her father, the dilapidated sheriff, was fired because of disapproval of his handling of the investigation; her boyfriend, Duncan Kane, and the brother of the deceased Lily, has broken up with her; because of her father’s firing and the snubbing of her by Duncan and his friends, the formerly current Veronica finds herself ostracized by her fellow students, especially after her drugging and rape at a party provide her with the designate of being a party girl (all expressed by the beneficial theme song “We Ancient to Be Friends” by The Dandy Warhols) ; and in the aftermath of her father’s firing, her mother mysteriously disappeared and hasn’t been seen or heard from in months. But Veronica is nothing if not resilient, and she is not one to passively select the misfortunes that life heaps upon one. In other words, she has spunk, as well as a rapid and inventive wit and lifetime supply of street smarts. Upon being made ex-sheriff, her father sets up as a private detective, and Lily serves both as his receptionist and aide, and ends up having a bit of a practice at school once her reputation as one who can determine awkward situations begins to spread. By the demolish of the season one might come by Veronica struggling with three mysteries at once, the ongoing one of Lily’s death, as well as whatever her father is working on, and some friend at school.
All in all, I found the first season to be thoroughly racy and persistently engrossing. The structure of the memoir is a bit of a blend of the long-story-arc episode and the stand-alone episode. Each episode will travel the core account for that episode forward, while also taking up any of a number of the ongoing mysteries. And there are a host of mysteries. For instance, we wonder about who are the biological parents of who, whether the have been inadvertent incestuous relationships, and characters who rush away to flee the difficulties. Through it all it the utterly unflappable Veronica, utterly obvious to glean at the truth of things. By the demolish of the season the colossal arc for that season-who killed Lily Kane-is solved, thanks to Veronica.
Veronica Mars is a tremendous character who is more than aptly handled by the extraordinarily cute Kristen Bell, who is perfect for the role except for the fact that she is a bit too archaic to be playing a high school junior. She is so otherwise perfect for the role it is easy to overlook the age gaffe. Although Veronica is a transparent girl-power heroine in the tradition of BUFFY, she stands apart from other such heroines such as Max Guevara and Sydney Bristow in not having especial smart powers or abilities, and has no special mystical destiny. What is Veronica’s special power? Her snappy wit. That’s it! She impartial thinks faster than others. She emerges as both a mountainous strategic and tactical thinker, always two or three steps ahead of everyone else, always anticipating what someone else’s response is going to be. Very rarely is she surprised by someone, or unable to response instantly to a variation.
The rest of the characters acquire a nice and believable group of characters. They largely topple into the competent and outstanding categories. In fact, the only three I would not state merely into the competent category are Enrico Colantoni, who is worthy as Veronica’s dad Keith. Though they sometimes disagree on things, throughout the reveal they are obviously the greatest of friends, and when they need to be, expansive colleagues. Keith tries to protect his daughter, but he also knows that she is someone of rather prodigious abilities, so he doesn’t always try to stand in her map. He has a tall kid, and he knows it. The only other cast member I consider deserves especial contemplate is Jason Dohring as the quickly Logan Echolls, who at various times in the course of the season is sadistic, vulnerable, excited, magnanimous, intrepid, cruel, tender, grateful, selfish, and romantic. If you don’t like him one week, wait a couple of episodes and reevaluate. One bit of casting irony should be notorious. Francisco Capra plays Weevil, the head of the local motorcycle gang. In fact, he is a member of one of the most thoroughly connected families in the history of Hollywood, his gargantuan grandfather being the tall director Frank Capra, his grandfather one of the tremendous power brokers in Hollywood, and he father nearly as active in a host of tinsel town activities. So grand for his outsider cred. Nonetheless, Capra, despite being the ultimate Hollywood insider, does a obedient job as one of the school’s awful boys.
All in all, this was a huge first season, with a grand series of storylines, one of the best season-long mysteries to be unraveled in ages, and a group of characters we reach to care for. The display ended with most of the loose ends tied up, probably in fraction an instance of defensive writing on the portion of the production team. With a bevy of rather hideous cancellations in current years, a lot of writers choose to slay a season as if they were ending the season. WONDERFALLS is a spacious example of this. We are clear to gawk more. Thankfully, UPN renewed VERONICA MARS, so we’ll regain to examine the spunky, resourceful, irrepressible high school sleuth serve in action for a least one more season, and hopefully for more. And maybe, impartial maybe the powers-that-be in Hollywood will realize that this kind of quality scripted television with long myth arcs, and not forgettable, cheap, unrehearsed reality shows are what viewers really want.
I got crooked on Veronica Mars during the pilot, which I tuned to on a whim. I plan it was one of the best written hours of television I’d ever seen. While some of the “mystery of the week” episodes were stronger than others, I was impressed that the threads of the over-arching account were kept going throughout the season. The last 4 episodes of the season, where everything started to near together were consuming. I really loved this prove and was so joyful to peep it renewed. I hope it comes out on DVD!
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