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Pokémon 2000 The Movie: The Power of One
This movie starts with a small short called “Pikachu’s Rescue Adventure.” Unlike the short which accompanied Pokémon The First Movie, Pikachu’s Rescue Adventure contains substance as well as cuteness. It focuses, as the name suggests, on Pikachu’s adventure rescuing–Togepi! The short treats the viewer to Pikachu’s intelligence, bravery, and of course, cuteness. Like the first short, it goes out of its method to present a wide variety of Pokémon, including four unusual ones, which I understand are named Hoothoot, Ladyba, Bellossom and Elekid. Elekid, a original electric Pokémon, plays a major role after becoming friends with Pikachu through an exchange of electricity. (Hoothoot and Bellossom now have played considerable roles in episodes of Pokémon: The Johto Journeys on television as well.) You’ll even finally bag to look a Snorlax do something other than eat and sleep!
The Power of One itself seems substantially less black than its precursor, yet manages to outdo the First Movie’s record of MewTwo versus Mew. The Power of One Introduces us to a unique Pokémon, a worthy Guardian of the Water named Lugia which is nearly as tall as the three legendary birds–Moltres, Zapdos and Articuno–combined. It’s also nearly as much as the three combined. I say “nearly” because, according to an traditional prophecy, without the encourage of the Chosen One all of its efforts to terminate the three from fighting will approach to nothing, “making the world turn to ash.” And who should be the Chosen One? Well, as Misty realizes, the prophecy DOES say that the world will “turn to Ash.”
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As an added limited bonus, the movie finally provides first names for Professors Oak and Ivy, and for Mrs. Ketchum, Ash’s mom. It also gives two uproarious, albeit non-speaking cameo appearances by the novel companion of Ash and Misty–Brock the Rock. Fans of Brock, myself included, may gain his puny role disappointing. Fans of Tracey, Brock’s replacement, may also be disappointed at his shrimp role in The Power of One. Moltres fans might be disappointed that he isn’t a good-guy like he was in his one appearance in the TV series, and at the design he’s been drawn for the movie. Misty fans, however, will revel in her pivotal role.
Team Rocket fans, perpetually hoping to accumulate their heroes playing a role other than that of the inept butt of jokes, will bag their hopes finally realized. Team Rocket too plays a pivotal role in The Power of One, gain it or not, deliberately and through the creativity of Jesse, James and Meowth! Ah Team Rocket, we always knew your tendency to “mediate outside the box” would pay off one day.
In addition to Lugia and Team Rocket’s effectiveness, the movie offers something else new: a original Pokémon called Slowking. Slowking, the final evolved originate of Slowpoke and Slowbro, resembles a Slowbro, but with the spiral Shellder on its head rather than on its tail. Best of all, the Slowking can sing. When you hear what he has to say, you’ll be jubilant he can. Lugia’s no gallop at communication either–like MewTwo, he objective psychically speaks in Ash’s head. Clean, huh?
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The Power of One offers an astonishing spectacle of color and animation. The movie produces vibrant images, color and sound. I found the music expedient too, although I must warn you that as with the first movie, most of the songs on the soundtrack appear only over the closing credits and have runt to do with the movie itself. At least more of the songs from the this soundtrack seem at least generally related to Pokémon. You will definitely want to contemplate the closing credits, however, both to hear “Uncommon” Al Yankovic’s “Polkamon” song and to study the second, hysterically-funny, cameo appearance by Brock. If you like Pokémon you will like this movie; your cramped Pokémaniac (either the one you tuck into bed at night or the one hiding inside you) will worship it.
Many people criticized “Mewtwo Strikes Support” when the first Pokemon movie was released in the US, because in comparison with the genuine Japanese version it was a mess, missing out necessary things that explained about the characters (such as The Birth Of Mewtwo), and it had sloppy characterization.
However, I’m elated to say that this film is generally mighty better than the first Pokemon movie. The spot involves a Pokemon collector called Laurence III who wants to hold the three Legendary birds Articuno. Zapdos and Moltres – or the Gods of Ice, Lightning and Fire as they’re called here. Unfortunately, this creates a immense jam with Earth’s weather patterns, causing violent storms and snow, and it is left up to Ash to catch them benefit, and return things to normal.
There are some minute hints to the possibility of an Ash/Misty romance in this film – when Ash arrives on the island at the beginning of the movie, a girl called Melody kisses Ash on the cheek which makes Misty really jealous, as well as some other cute moments.
Sadly, in spite of an improved situation I absorb that, as before, the choice of music stands out as the film`s downfall and the producers haven`t learnt from the mistakes they made in the first film. Apart from a few exceptions (“The Record Comes To Life” is a improbable track), this movie replicates the same pop-styled rubbish worn in the First Movie. The remix of the TV theme song (“Pokemon World” performed by Youngstown & Nobody’s Angel) is absolutely bad, with a scratchy beat and synthesized vocals. The campaign to ban vocoders starts here…
Next time round, I would like to behold a better choice of music which is less pop-orientated, but I`m not holding my breath…
Overall though, in spite of the dreadful soundtrack, this is a major improvement on the First Movie which I assume any Pokemon fan should add to their collection.
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