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Streaming The Witch Who Came From the Sea Online.
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Kinda like a odd variation of REPULSION if re-written by Charles Manson. THE WITCH WHO CAME FROM THE SEA is about a disturbed woman named Molly who had a ghastly childhood thanks to her dad raping her nonstop. Now as a heavy drinkin’, pill poppin’ adult Molly has a few problems of her maintain. The visions of mutilated corpses and the commercials telling her to destroy are handsome serious, but that’s nothing compared to her habit of hacking off men’s dongs with a razor!
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You’d mediate with a storyline like that that things would escalate until finally the film explodes into an orgy of blood, nudity and gore. Well, that’s at least what I was hoping for. Sadly things actually plain down as the movie goes on until finally at the kill I was getting gorgeous wretched.
If you’re looking a film about female madness then stick with REPULSION, but if you want some psychotic sexy violence that’s gonna invent your eyes pop out then gape A CHINESE TORTURE CHAMBER Tale 1 & 2.
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Also for all you fans of the Don Knotts/Tim Conway classic THE PRIVATE EYES check out Stan Ross in a brief scene as the tattoo artist Jack Dracula. He’s even on the wait on of the DVD case.
The poster art for “The Witch Who Came from the Sea”–which is reproduced in graceful color, but frustratingly cropped fabricate, on the hide of the DVD–has absolutely nothing to do with the movie itself. “Witch” is not a scare film, but rather a scathing indictment of child sexual abuse which occasionally veers into horror-like territory.
Millie Perkins plays Molly, a spacy barmaid who idolizes men on TV, dotes on her two young nephews, and often recalls her tedious, seafaring father with unnatural reverence. She also has hideous castration fantasies that she acts upon about fifteen minutes into the film(don’t pains, I’m not giving away the movie’s major revelation here) . Perkins is really valid in this role, and Lonny Chapman also gives a graceful performance as her grizzled boyfriend.
What else works in this film? The boring, battered Venice Beach and Santa Monica set shots. The creepy soundtrack. Molly’s dark, unfortunate, homely flashbacks to childhood. What DOESN’T work is the dialogue. Robert Thom(Perkins’ husband at the time) wrote in the Ernest Hemingway-Rod Serling style; everyone in the film speaks exactly the same scheme, and they all sound so nutty that you’ll often be left scratching your head in frustration. I consider that Thom was going for a folksy, man-and-woman-on-the-street feel(for 1976), but the language comes off as goofy and stilted. That said, leer the film anyway–it really is worth it. You’ll never, ever forget “Witch”. (Without giving anything away, the final scene is unbelievable, almost perfect.)
Extras include commentary by Perkins, director Matt Cimber, and cinematographer Dean Cundey; interviews with the same; and trailers for some other movies. What’s really enthralling about the film itself is that there are two or three scenes which I never saw on the venerable VHS print I outmoded to rent. Brace yourself before you examine this; obviously the film is not generous for children, but many adults will gain it extraordinarily terrible as well.
Dutch traditional clocks
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