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THE TENANTS began as a 1971 short modern by the now deceased Bernard Malamud – writer/philosopher – examining the conflicts between Jews and African Americans in the incendiary atmosphere of Brooklyn at the time the book was written. As a fresh the chronicle was gut wrenchingly real: as transcribed into a screenplay by novices David Diamond and Danny Green (who also directs) it is more of a cerebral dissertation that gradually erupts into action in the final moments.
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Harry Lesser (Dylan McDermott) is a Jewish novelist with one book under his belt but currently attempting to enact his ‘newest’ book ten years into the writing. Convinced that he must complete the original in the same environment where it was started: he is the sole tenant in a condemned Brooklyn tenement owned by Levinspiel (Seymour Cassel) who constantly tries to ‘buy out’ Harry’s lease so that the filthy weak building can be demolished. Into this atmosphere enters another Shadowy militant quasi-anti-Semitic writer Willie Spearmint (Snoop Dogg) whom Harry befriends, hides, and offers assist to the nascent novelist’s attempt to write about the death of all white people. Harry’s attempts to back Willie lead to conflict, not the least of which is Harry’s meeting Willie’s girlfriend, the white Jewish Irene Bell (Rose Byrne) at a less than respectable gathering of Willie’s militant sunless brothers and sisters. Willie and Irene are on the skids and Harry gradually falls in cherish with Irene and they view to leave Fresh York as soon as Harry finishes his unique. When Willie hears of the assignation and is further critiqued by Harry, Willie explodes and begins the downward descent of not only a magnificent friendship but also a competition between writers. The ending ‘reveals the slippery nature of the human condition, and the human capacity for violence and undoing’.
The actors do their best with a script that is a bit awkward but despite scripted lines that border on preaching they do believable characters. The cinematography enhances the fable, keeping the mood dank and dense and primarily confined to the condemned building. The musical find appropriately makes exhaust of the solo jazz trumpet and blues piano to underline the tension and isolation of each of these fake characters. Though it takes some patience to design it through the cerebral ramblings, the film in the waste is worth watching. At least it attempts to recreate Malamud’s bizarre gawk at life in the grand city. Grady Harp, April 06
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If you like watching the archetypal Wrathful Murky Man (hostile & volatile), then this movie is for you. What a loathsome character Willie Spearmint is… juxtaposed against the sensitive, thoughtful, trustworthy Lesser. Willie has a vast chip on his shoulder, evident fr. the 2 characters’ 1st meeting, when Lesser walks in from leisurely on Willie typing away, and Willie greets L with only unabashed indignation. Willie exudes this indignation and hatefulness every other scene. On more than one occasion, he asks Lesser for advice on his unusual, then goes off on Lesser like a madman in reaction to L’s conscientious & painstaking acknowledge. Willie is an ingrate and a USER. VERY abominable to peruse.
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