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“Howling IV: The fresh nightmare” is one of those sequels to a revered alarm film that is almost universally trashed by people who look it and even people who don’t, which is something that can be understood to an extent. The film can’t compare to the polished nature of the novel film, nor can it compete with that film’s revolutionary and downright groundbreaking make-up effects. Add to that that “Howling IV” has been butchered by its producer in post-production to beget more of a contemporary and commercial dismay film on its recent release. But that’s not the whole anecdote. The truth is that for all the film’s short comings there are some merits to it and they are not as few as many people mediate. The film is mighty truer to the atmospheric and suspensful storyline of the fresh book than any other film in “The Howling” series (remarkable more so than the classic, but tongue-in cheek new film) and is also directed with great style and a wonderful amount of atmosphere and suspense by John Hough (who directed the superb ghost stoty “The Tale of hell house”) whose style unruffled shows and gives the film an unnerving, eerie feel to it even after the producer’s tinkering. Add to that that the film has a very expedient account, effective if not stellar make-up effects and manages to raze on an extremely eerie designate and you earn a very agreeable B-movie that should be viewed with its low-budget in mind. This is a film that will please fans of the new book more than anyone else, but will also please fans who like superb, though-provoking alarm stories that are presented on veil with a minimum of flash. Worth re-appraisal as one of the best “Howling” sequels. As for the DVD, all of the editions available around the world are almost of the same quality, which is glorious, but adequate enough for a film as obscure.
It is here that we gawk the initial involvement of Clive Turner in this series (recognize for my review of Howling: Fresh Moon Rising) . Although this is better, by far, then the childish fraction 3, by no means is it improbable. Personally, I liked this film. The director has been a genre staple for quite some time (you may be surprised that he also directed Narrative of Hell House) . It is this choice that lends primarily to the redeeming value of this film… at least I saw what the director was trying to conclude. It has been well published (in fright mag Fangoria) that it is indeed the fault of Clive Turner for the disasterous handling of this film. He re-edited it, fired the director, and turned it into what we study today. His attempts to waste the film did not entirely work, however, because I did like it. The werewolves were frosty… especialy the grand-daddy at the raze and the actors did all they could to heighten the fare. So the film suffers, not because of Mr. Hough (the director) or Romy Winsor or Michael T. Weiss (the stars), but because of the unredeeming Clive Turner. An example of Mr. Turners work can be viewed in the pathetic Howling: Original Moon Rising. I for one, say check this one out, Howling 4 is not nearly all that dreadful. I do hope that, one day (anyone reading? ) that a special edition DVD of this film is made and John Hough is brought in to supervise the editing of his unique vision.
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