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CITY OF VIOLENCE (aka: Jjakpae) is the 4th film by acclaimed action director Seung-Wan Ryoo (Arahan, Crying Fist) . His films usually have that commercial appeal which is why they have enjoyed more success in most other countries in Asia than in South Korea itself. “City of Violence” is no exception, as with most martial arts films, it may have more “Style over substance” but no one can inform that it is very consuming and quite intense that this film is worth a peek.
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A Seoul cop named Taesu (Du-hong Jung, Fighter in the Wind, Arahan) is summoned attend to his hometown to serve a funeral for an worn high school buddy named Wang Jae. Once there, he runs into two more of his frail group, Pilho(Beum-Su Lee) and Seok Hwan( Ryoo Seung-Wan) . The four apparently forged their enjoy lives; Taesu is a cop, Wang Jae gave up being a gang boss for his family and gave the reins to Pil-ho(who outgrew his goofy kid image), but Seok Hwan, tranquil likes to launch fisticuffs. Pil-ho assures Taesu that he owns the town and he will acquire to the bottom of Jae’s abolish. But Taesu, being the cop that he is, decides to do a miniature investigating along with Seok and they score Jae’s killers have been brutally beaten to death, except for one. They accumulate that Pil-ho was having an exclaim with Wang-Jae over a sincere status deal and it seemed that Pil-ho could have a hand in the execute.
Taesu and Seok must go through a gauntlet of Pil-ho’s goons and a very tough QUARTET to bring Pil-ho to justice. The inevitable climactic showdown is a stare to explore.
The position is unoriginal, and is quite simple. The screenplay gets a tad blurry with too many characters and with the flashbacks. It is also hampered with the fact that Pil-ho is revealed to be the culprit early on in the movie. It reminds me of the films; “Stand By Me” and the Korean Hit “Friend”.
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However, “City of Violence” succeeds in the action/fight scenes as well as its visual style that I forgave its shortcomings. The fight scenes (choreographed by Du-Hong, actor who played Taesu) are very well done and limits the exercise of wires/CGI. Bloody and hard-hitting, the fights are well-executed that the style has a touch of realism and doesn’t lose its humanity. Camera work gives you an observational perspective, so you can sight all the action. The atmosphere has that “noirish coolness” and coupled with very nifty scenes with the different “themed” gangs (looks like it was modeled after “The Warriors”;ex. Cheerleaders, bikeriders, etc.) And the music at the climax is reminiscent of the Eastwood’s “spaghetti westerns”. All the formulas blend well to give us a very cold action movie.
I have the 2-disc region-3 edition from CJ entertainment. The presentation is exceptional which is why Korean dvds are expensive. I heard the Dragon Dynasty release will exhaust the same transfer and may carry an English dubbed track. (I buy to stare it in unique Korean language)
PICTURE/AUDIO: 1.78 anamorphic widescreen. Near-flawless portray transfer. Vibrant colors, smart and provocative with strong solid blacks in the scenes where needed. 5.1 Dolby/DTS-ES in Korean, English subtitles are very gracious. If you’re equipped, DTS track is the design to go because it is very noteworthy and crisp. You hear the impact of the punches more clearly.
IN CLOSING:
“City of Violence” may not be wholly novel, but it is proof that a film doesn’t need to be one to relate an intense and engaging experience. It is fast-paced and definitely delivers in the action/fight scenes. It is exactly what action-buffs have clamored for in a long time!
RECOMMENDED! For action fans. (4 stars)
“The City of Violence” is surprisely grand and pays homage to a handful of films and maybe video games. As mighty as I enjoyed this film there is ultimately great more slow it is probably sure, but the film leaves no time for the formulate fable, which may disappoint the one hand, since there are hardly any surprises, at the same time one feels but also estimable hands and can be fully applied to the optical review and musical values of the film.
This myth entails Tae-Su (Doo-Hong Jung) who works as a policeman in Seoul, due to the abolish of a venerable schoolmate after many years in his home town returns, only to realize that things have changed fundamentally. There are now brutal youth gangs, the night the roads hazardous and Tae-Su presumed to be stuck slack the assassinate. Together with another friend of his youth – Pil Ho – makes it to search for the murderer.
This film ultimately reminded me of a revenge fable in the cool’70s style, with proper martial-arts sequences, which I have seen from Korea. The most significant feature in the tremendous battle on road when the camera is very discontinuance to the action on it, and you do not always match the fighting, which sometimes chaotic adrift into something. The music selection is exemplary; it falls between hip-hop, Western scores and jazz is icy, hurry 93 minutes in length with very crisp, gorgeous retro style that contributes to the atmosphere. Leading actors Doo-Hong Jung (Tae-Su) can be fully convincing and shows us the best performance of his career. Ultimately, again a film that offers very exiguous that is modern, but at least his exemplary quotes parade passed, and guaranteed an audience.
Like I stated before the former point of this film is the yarn itself which is told too rapidly. Of course, there is also a city gangsters and consequently many situations, with words no longer definite, but hand edges, and billets of action which is exactly why The City of Violence is worth seeing.
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