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Growing up, I was a great horse-freak, and considered myself a connoisseur of all-things-horse, especially movies. The Murky Stallion has always been one of my favorites.
Of course, it doesn’t harm any movie to be executive-produced by Francis Ford Coppola (The Godfather I,II,III) . But what really shines through in this film is the exquisite cinematography and camera work, and the acting by Cass Ole (“The Dim”), Kelly Reno (Alec) and of course, Mickey Rooney, who was nominated for Best Supporting Actor.
This film really captures the mood and feeling of the first “Sunless Stallion” book. There is virtually no dialogue for a valid piece of the film, and it is not missed. The on-screen relationship between Alec and The Shaded is one that could not be expressed in words under any circumstances.
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When I first received this DVD, I establish it in to seek it with my father on Christmas night a few years ago. During the island scenes between Alec and The Shadowy, I stifled tears; the scenes – the photography is that graceful.
I was enthralled by this movie as a 13-year-old girl with a passion for horses, and I feel the same scheme as a 36-year-old.
Buy this DVD for your children, or steal this DVD for you, but choose this DVD. It will mercurial become a accepted!
It is with ample pleasure I can remark you that I have sat through nearly every horse movie ever made – and that “The Sunless Stallion” is peaceful the best one I have ever seen.
Buy,Download, Or Stream The Black Stallion! Click Here
Buy,Download, Or Stream The Black Stallion! Click Here
Every aspect of the film is superlative; the casting, the acting, the adaptation to screenplay, the music, the sounds, the editing, the characterization and most especially, the cinematography. But the accurate genius of the film lies in director Carroll Ballard’s graceful ability to render his main character, namely the unlit stallion himself, on the camouflage.
Since I have experience with horses I am obviously very aware of how films employ their equine actors. Errors are immediately apparent. This film does not have any. Every time a horse is onscreen, characterization in action and expression is perfect.
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Credit, of course, goes to trainer Corky Randall, and also to the decision to cast Kelly Reno and Mickey Rooney, horsemen themselves, into the human roles.
Tremendous credit also goes out to the filmmakers for making the trouble to score animals who would fit the role so well – accurate murky arabian stallions. Most would not have gone to the wretchedness, preferring to work with geldings, or with any breed of horse with the significant color and training to earn the role. Fair gape to other famous horse films, like Sunless Beauty, The Horse Whisperer and SeaBiscuit, to glimpse how the horse is changed to fit the film.
One of the best examples of the film’s genius with the horses is the scene in which Alec and “The Shaded” first become friends. The film shows the stallion who played that piece of the scene retreating each time the boy walks toward him, then advancing each time he walks away. By degrees of come and retreat is Alec finally able to collect stop to the horse.
Such behavior mimics a horse’s natural response perfectly. But it is not simply how it was it was choreographed; it is how the horse plays the fraction. The animal does not tamely scurry forward and backwards – he displays a spirit and impatience of a gorgeously trained animal being keep through a difficult series of steps; respectable but with remarkable character. On film, this highly charged personality mimics perfectly the awe and enrage of a wild stallion trying to cope with coming cessation to a being he regards with suspicion.
Trivia for those interested; Cass-Ole, the stallion to whom lead credit was given, actually had 4 white socks and the star. In the stop shots, you can sight the white under the makeup. It was Cass Ole and Kelly Reno who did most staunch scenes, such as galloping without bridle and saddle down the beach. Most films expend doubles for such scenes.
Fae-Jur, the main double, was also a unlit stallion; it is rumored he was not even a accurate shadowy, but a grey who had to be dyed extensively to play the role. He is said to have done many of the “wild” scenes, when no rider was required.
The film gets my highest recommendation for both adults and children. Some may be frustrated by the artistic slant of the sage – it rolls past like a dream, especially the island sequences. Children who have read the book may be disappointed by any changes they explore in the legend. But the film is a a masterpiece of storytelling – for children or otherwise.
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