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Movie Title: The Battle of Algiers – Criterion Collection
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“The Battle of Algiers” is the narrative of a revolution. The film–based on precise events–begins in 1954 with Ali-La-Pointe–an illiterate, unemployed ex-boxer. He winds up in prison, and it’s there that he begins to identify with the F.N.L.–the National Liberation Front. The F.N.L.’s goal is an independent Algeria–free from French occupation–ruled “with a framework of Islamic principles.” Once out of prison, Ali joins the F.N.L and begins ‘cleansing’ the Casbah (the Muslim fraction of Algiers) of undesirable Algerians who dabble in prostitution, narcotics and alcohol. The film shifts focus from Ali to the uprising against French Occupation. The spot subtly escalates–French police who sit peacefully drinking coffee in street cafes are murdered, and anti-Arab feelings mount. With a momentum of its gain, the space is blown beyond all control–terrorism is rampant–cafes, air terminals, and racetracks are all targets. Naturally, the French answer, but terrorism aloof increases, and French officials bump up against such bureaucratic necessities as search warrants and paperwork. Soon the French are late sandbags and barbed wire, and the Muslim population of the Casbah are subject to checkpoints manned by French soldiers. At this point, seasoned warrior French Lieutenant Colonel Mathieu arrives. While the French residents of Algiers welcome his arrival, Mathieu’s march though the streets ultimately seems ghastly. He’s a career soldier, highly principled in his bear way–and he’s there to gain.

Mathieu doesn’t mess about. He takes control of the plot and tells his officers “to succumb to humane considerations only leads to hopeless chaos.” Strategy dramatically changes as Mathieu methodically rounds up and tortures Algerians. It’s a shotgun approach–evidently if you round up enough people and torture them, information will eventually pry loose. And it is by this draw that Mathieu begins to fracture down the cell structure of the terrorist group. Using torture undermines the morality of the French site, but Mathieu tells the scared French press that the matter is simple–the F.N.L wants the French out, but if France chooses to support Algeria “you must fetch the consequences.”

“The Battle of Algiers” is a masterpiece of filmmaking. It’s sunless and white, directed by Italian director, Gillo Pontecorvo with English subtitles. The film has a somewhat grainy ogle to it that underscores the feeling you’re watching a documentary. Interestingly enough the only professional actor in the entire film is Jean Martin who plays Lt Colonel Mathieu (based on General Massu) . It’s a travesty that this film has old-fashioned into obscurity, but evidently enough people know about it for a screening of the film to choose status for Special Operations at the Pentagon on August 27, 2003. “The Battle of Algiers” was banned in France and is considered the quintessential film gawk of a nationalistic insurgency against capitalist suppression. If you are fervent in watching an unforgettable political film, it doesn’t regain better than “The Battle of Algiers.” After watching “The Birth of a Nation” Lenin commented that cinema is “History written with lightening.” And after finishing “The Battle of Algiers” I’d have to agree–displacedhuman

This film was released in the gradual sixties at the same time the U.S. was getting interested with Vietnam and the similarities are positive. This is an emotional film which should be seen by all people(except young children) . It’s expend of shadowy and white film, documentary style sight, non-professional actors, music, and realism effect this a legendary film experience. It starts off with Ali “La Pointe” joining the freedom fighters against French colonial rule. Both sides launch bombing each other and then France sends in its army to squash the rebellion. The films violence is harsh but significant. The torture scenes were removed from some european prints but is intact in this video. This is the type of film that should be shown in highschool and college classes, it is a portion of history. The things that will linger with you after watching this pleasant film is what the Algerians went through to earn their independence, too many innocent people died in this struggle and the viewer can’t but assist feeling the tragedy of this type of struggle, the final thirty minutes of this film is heartrending. Search For it!
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