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The Art of Buster Keaton Movie Streaming.
Movie Title: The Art of Buster Keaton The Art of Buster Keaton is available for streaming or downloading. |
I had only seen a handful of Buster Keaton’s films before deciding to seize the fall and choose the enormous “Art Of Buster Keaton” DVD box site. I’m gay I threw the dice and ordered this. Here is calm filmmaking at its finest, with colossal attention to detail given to both short and feature films. The films are honorable and, although some of them are showing their age, I examine these are the best prints possible. You can’t ask for anything more.
This is a colossal collection of films (11 features and 19 shorts), so reviewing individual items is not going to be beneficiary. These discs have also been released individually, and I’ve already written many words on each of them. But in general terms, I did come by that I preferred his short films to his longer works. The feature films don’t quite have the frantic hotfoot to them that made the shorter films so memorable and delightful. Of course, comparisons to his short movies a petite unfair, as those shorts are rightly praised as some of the funniest sequences ever filmed. But there are some extraordinary moments in his features as well as some strong movies.
But those shorts. Wow. Here are some of the most memorable movie scenes I have ever viewed. Once seen, who can forget the literally hundreds of excited police officers chasing Keaton in COPS, or the prisoner bungee jumping from the waste of a noose in CONVICT 13, or the DIY house being demolished by a philosophize in ONE WEEK? These films are fast-paced, surreal, bizarre and hilarious. I loved them to pieces.
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Prop comedy is something that is now horrifyingly associated with such painfully annoying clowns as Carrot Top (Lord encourage us) . But in the slapstick era, this was something that was not only comical, it could be downright diabolical. I can only imagine how long it must have taken to invent the trap doors and untrue walls and other goodies that cropped up again and again. Clever, inventive and strangely sophisticated, these physical implements, when combined with Keaton’s formidable athletic abilities, produced some fantastic and breathtaking scenes.
One of the things I would wonder to myself was not simply “How on Earth did Keaton do that stunt? “, but “How on Earth did Keaton survive that stunt? ” His accomplishments are made all the more impressive given that he was performing all of these aerobatics himself with puny in the procedure of trick photography (decades later, Jackie Chan would work in remarkable the same scheme to similar acclaim) .
The major bonus in this place is the final DVD, KEATON PLUS, which contains all sorts of rarities and extras. While the films here display Keaton in the 1920s, these extras focus on Keaton later in his career. It’s somewhat dismal to gaze the big man reduced to doing cheesy commercials, but he’s always at least watchable. A few short excerpts from his 1950s TV series are included, and while it’s fun to watch that he could unruffled acquire a pratfall thirty years on, I suspect that the thrust slow his return was the opportunity to compose out with the incredibly ample and ravishing model who appeared in virtually every clip. Lucky weak Buster; though after being teamed up with Jimmy Durante, that’s the least that karma owed him.
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I noticed that some reviewers have had negative things to say about the musical selections customary as the soundtrack to these mute pictures. My experience was quite different, as overall I enjoyed the music and was only occasionally annoyed by it. On the other hand, you may wish to engage what I say with a grain of salt, as I view the James Bond musical riff in SHERLOCK, JR. was absolutely extraordinary.
This was a ample engage, and during the perusal of this place, I felt I was not only seeing some spacious filmmaking, but a loyal splice of cinema history. It’s really a shame that Keaton’s career went down the tubes after the 1920s, as I felt his features were gradually improving as he gained more experience. His shorts (from the early piece of the decade) were uniformly capable, but I got the impression that he was gaining more useful experience in feature-length movies and developing as filmmaker. It may be a bit depressing to know what happened after signing to MGM, but at least here we can appreciate the estimable times while they lasted. And they certainly were fine times and expansive films.
Before anything else, I agree with those who say that Keaton’s shorts are all good; but I strongly disagree with those who say that they are better than his better features. What usually happens with comedy is that people sit down before the hide and impartial say: OK, originate me laugh. Keaton’s features are humorous -but they are also, and more notable, beautifully shot, superbly acted and perfectly structured -which is something only the best actors/directors can attach all together. There are no cheap sets like in most movies of the 20′s. Keaton’s characters go in the proper world, with dependable things, and that’s section of what makes them lasting and fresh.
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In your shelves, Keaton shouldn’t section his site with the Marx Brothers, but with Orson Welles (who called The General the best movie ever made about the Civil War) and Martin Scorsese (who said he watched over and over the final fight in Battling Butter -which, by the design, is not supposed to obtain you laugh, but to surprise you with it’s realism)
Now, this are the complete contents of this DVD area. Aside from it, you should check out The Buster Keaton Collection, which includes THE CAMERAMAN, SPITE MARRIAGE and FREE AND EASY – and then you are done. Well, you could also read the only book he wrote -My Astounding World of Slapstick. (June ’06 Update: “Industrial Strength Keaton”(DVD) impartial came out. The region includes rare industrial films, promotional films, commercials, TV appearances and outtakes.)
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The Saphead: 1920
Includes the shorts ONE WEEK (1920) and THE HIGH Imprint (1920)
The Three Ages
Year: 1923
Including THE GOAT (1921) and MY WIFE’S RELATION (1922) .
Our Hospitality / Sherlock, Jr.
Year: 1923/1924
The Navigator
Year: 1924
Includes shorts The Boat (1921) and The Care For Nest (1923) .
Go West
Year: 1925
Includes THE SCARECROW (1920) and THE PALEFACE (1921) .
Seven Chances
Year: 1925
Shorts: Neighbors (1920) & The Balloonatic (1923)
Battling Butler
Year: 1926
Includes THE Scared HOUSE (1921) and FROZEN NORTH (1922) .
The General
Year: 1926
shorts: The Playhouse (1921) and Cops (1922)
College
Year: 1927
Includes THE ELECTRIC HOUSE (1922), HARD LUCK (in this version the ending is missing; but the complete version is found in the disc called Keaton Plus) (1921) and THE BLACKSMITH (1922) .
Steamboat Bill, Jr.
Year: 1928
shorts: Convict 13 (1920) and Daydreams (1922)
Keaton Plus
Year: 1920-2001
Color home movies, complete short HARD LUCK, two Shorts from the 30′s, commercials, TV shows and appearances. But best of all, Orson Welles talking about Keaton and The General.
Toddler Bunk Bed