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When it was revealed that there was going to be a Rocky VI, many naysayers groaned and complained that enough was enough and that Sly was too over the hill and couldn’t pull it off. But the Apt FANS out there knew differently. Even the critics, who initially made skeptical/negative comments about the sixth installment, started turning their stories around after viewing the film in its entirety. Rocky Balboa is a valid winner of a movie, that fully realizes the essence of the new classic and brings the saga chubby circle to a thrilling, emotional, and very memorable conclusion.
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Many years have gone by since last we saw Rocky, who is now a widower, estranged from his son and unexcited mourning the loss of his beloved wife, Adrian. There are some truly touching moments of Rocky at the cemetery, sitting by her grave (when I saw the film in theaters, no one in the audience made a sound – even the rowdy ones – during these scenes, out of pure respect for the characters) as well as Rocky’s tear, with Paulie, to all the places he took Adrian on their classic first date. So touching.
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Now Rocky has his gain restaurant, where he greets his customers and regales them with past stories of glory. But deep inside of him is a rage that he must gather out of himself and conquer in order to recede on with his life. The only diagram to do that is to go succor in the ring. But when a computer simulated match between Rocky and the original reigning heavyweight champion of the world, Mason Dixon, is shown on TV, showing Rocky as the victor, word spreads like wildfire for the actual thing.
No Rocky film is complete without a training montage, and this film’s got it in spades. Stallone has the character of Rocky so integrated within himself, and gives nothing short of one of his finest performances on hide. Many memorable scenes, including Rocky’s long and emotional talk with his son, as well as his unique relationship with Marie (the young woman Rocky walked home succor in the first installment) effect for truly compelling drama. And the climactic fight at the finale is the icing on the cake. It’s inspirational and never disappoints for a second.
Rocky Balboa belongs in the collection of every fan (and non-fan alike for that matter) and the DVD is loaded with incredible bonus features, including Audio Commentary with Stallone, Deleted Scenes, Featurettes, Alternate Ending, and more. Rob this film up and see it again and again. You’ll be elated you did.
Rocky Balboa – a fitting destroy to the Rocky Saga!
“But it ain’t about how hard you hit. It’s about how hard you can win hit and retain curious forward.” – Sylvester Stallone as Rocky Balboa
If you liked the recent “Rocky”, you will really like this movie, as it is more about the character Rocky, his feelings, his life, and his future. Rocky 3, 4, and 5 are missing the necessary heart and soul we loved in Rocky 1 and 2 so worthy – we fell in admire with the Rocky character, his humanness, his gentleness (despite his hulking size and profession), his esteem of Adrian, Mick, and Paulie. In “Rocky Balboa”, Sylvester Stallone has captured the essence of Rocky once again. The film will travel you as it did me. I laughed out loud, I was inspired, I cheered, and I cried.
Rocky V was supposed to the last Rocky film, but the film was disappointing in that it had no valid conclusion of the character of Rocky. Stallone was disappointed with it, and for years pestered the studios to allow him one more installment. With “Rocky Balboa, Stallone once again causes us to tumble in esteem with Rocky, and he ends the film with a unprejudiced and satisfying conclusion. I guarantee you will like this film if you liked the recent “Rocky.”
This final installment of the Rocky series, “Rocky Balboa”, has mighty of the flavor of the new Rocky (1976) release. The emphasis is not on the fight, rather, it is on the character of Rocky, and how he is struggling to acquire himself after the unexpected and premature death of his beloved Adrian. Adrian has died and Rocky’s life stopped when she died. He is stuck in the past, with no positive vision of his future without her at his side. Each morning, Rocky begins his day by sitting beside Adrian’s grave in a wooden chair he stores in the crook of a nearby tree. He brings her original flowers and contemplates their past care for together. He has a restaurant, called “Adrian’s”, where Rocky entertains his guests with stories of his past boxing glories. It so happens it is the 5-year anniversary of Adrian’s death, and Rocky, as he has done each of the previous 5 years, goes relieve to the traditional neighborhood to relive his fond loving memories of Adrian, like the pet store, the skating rink, their apartment, and Mick’s boxing gym. Rocky misses Adrian so powerful he cannot score over her. She is like a ghost who dominates his every waking moment.
Like the unique “Rocky”, this film devotes toothsome time in developing the character of Rocky and his interactions with stale and modern characters. Th “feeble” characters are Paulie (Adrian’s brother), Rocky’s son (now a fledgling businessman, struggling to cut out a life outside his well-known father’s shadow), Spider Rico (a traditional opponent, and now Rocky’s friend and confidant), and “Limited Marie”, (now a grown woman who works at the neighborhood bar) who Rocky walked home from a street corner in the unique film (Marie was perhaps 12 years aged then – she is pushing 40 years stale in this film) .
The unique characters are Step, Marie’s son, whom Rocky befriends like a father figure, and Mason “The Line” Dixon, the new heavyweight champion, who is stuck in his absorb life rut. Like art imitating actual life, the heavyweight division is in the dumps with no steady contenders for Dixon to fight. Dixon is booed by fans despite him easily winning his matches against all the pretender “contenders”. The fans are in a station of unrest, because there is no boxer on the scene with the credentials to give Mason Dixon a actual fight. And so, Dixon has doubts about himself. Is he really a champion when he has no viable competition? Does he have a fighter’s heart? Can he go the distance with a precise challenger? Can he salvage up and fight if he gets knocked down? It appears that Dixon will never come by the answers to his questions until a computer fight with Rocky Balboa is generated. Mighty like the real-life computer fight between Rocky Marchiano and Muhummad Ali, the Dixon-Balboa fight ends with Rocky KO’ing the fresh champion. Dixon’s manger and handlers utilize the computer fight to generate interest in a accurate fight with Rocky Balboa. Dixon needs the sure publicity the fight will bring him, and he needs to resolve the snort of how he would do against a exact champion like Balboa. At first, Dixon is incredulous that someone as worn as Rocky could even step in the ring with him, as Rocky is in has mid to gradual fifties. The match is status as an exhibition, and Dixon tells Rocky he will carry him and not embarass him. Microscopic does Dixon know, Rocky serene feels he has something to indicate, and he takes the fight seriously, giving Dixon the war he needs to present his mettle.
Rocky accepts the challenge to fight despite the disapproval of his son and Paulie. They anxiety for the very life of Rocky. But Rocky eventually convinces them that he has to fight because he cannot go into eternity with a content. The Rock believes a man is always a man, and has the soul of a fighting man even when he ages. The fight for Rocky is a metaphor for the value of one’s life at any age, and is also his personal battle to go forward in his contain life. He was knocked down when Adrian died, and now this fight shows that he can bewitch himself off the mat and travel forward once again.
The fight itself is anti-climactic to the character development of Rocky and where he goes after the fight. Thus, the fight with Mason Dixon has less drama than the previous Rocky opponents (such as Appolo, Drago, Clubber Lang, etc) . Rocky always fought villianous characters in the previous films, but not in this one. (In fact, Clubber Lang and Ivan Drago from Rocky 3 and 4 were more humorous book characters than actual people) . In “Rocky Balboa”, Mason Dixon is not a villan. He is a dependable human being with human issues of his absorb to decide. Without revealing the ending, suffice to say that both fighters give it their all in the ring, and both enact what they site out to do.
It is remarkable to mention that Rocky does not even wait in the ring for the final decision, for he has exorcised his personal issues and settled them. In the final scene of the movie, Rocky revists Adrian’s grave. The perceptive movie watcher will notice that the chair is gone from the crook of the tree, indicating that Rocky has moved on with his life. Adrian will calm be his beloved, but he can fade on and not be stuck in the past. The Slight Marie character, now a grown woman with a nearly grown son, helps Rocky realize he has more to live for than past memories. Their budding relationship gives the viewer assurance that fresh like can again blossom for Rocky, and possess the void he felt for Adrian.
For me “Rocky Balboa” is a very shapely and satsifying, and I give it 4 of 5 stars. I dock it a star because I judge it could have been a bit longer. The film only runs 1 hour and 42 minutes, relatively short by today’s film standards. I would like to observe further development of Rocky’s trainer and their relationship, (the younger viewers will not know who the trainer is, or where he comes from. He is Apollo Creed’s feeble trainer, and the man who helped Rocky negate for Ivan Drago) . I fondly retract Rocky and Mick’s relationship in the first three Rocky movies, and I wish there was more dialogue between these two men to protest their feelings for each other. Afterall, would a trainer seriously gain the task of preparing a 50-something dilapidated Rocky to fight the heavyweight champion? This premise could have been developed more. I also would have liked to examine more development on Rocky’s training. The training period is too brief in this film, and was always an emotional inspiration in previous films. It is hard to imagine a man in his fifties stepping into the ring with the champ. Rocky is incredibly ripped in his musculature, but I would have liked to spy the same sequence that was done in the first film, showing how out of shape Rocky was, and what he had to go through to pick up into shape. This in my estimation is the most serious flaw in the film.
If you can fetch the preposition of a man in his mid to tedious 50′s fighting the unusual heavyweight boxing champion (a la George Foreman winning the title at age 45 and fighting until he was nearly fifty years dilapidated), then you will like this film. This to me is the only stumbling block in the film. If one can net the age notify, and finds it credible that Rocky can really save up a fight, then the film works. If you can’t find that preposition, the film can detached be enjoyed for the development of the Rocky character, and the hope he has in his future with his son, and Marie as a potential future admire interest.
“Rocky Balboa” provides a fitting ending to the Rocky saga. It is a must-see for all the Rocky fans who have lived the saga for the past 30 years. Personally, and perhaps like many others, I have been deeply affected by Rocky in my life, as I can empathize with his struggles in life, and his struggle to obtain his life count for something – not assert to be “impartial another bum from the neighborhood”. “Rocky Balboa” shows with grace and dignity that all of us have these same issues, and the movie fittingly ends with Rocky’s issues satisfactorily resolved. It was a spacious crawl. Thank you Sylvester Stallone for revealing to us the person of Rocky. I like the guy, in fact I appreciate him. My life is richer for it.
Jim “Konedog” Koenig.
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