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For those viewers who fondly remember, and miss, Robert Duvall’s role as Augustus McCrae in the 1989 TV miniseries LONESOME DOVE, assume heart. Duvall is befriend in the saddle again as “Boss” Spearman in Commence RANGE. It’s been blueprint too long.
The lead role in this western actually belongs to Kevin Costner, who plays Spearman’s crawl partner and employee, Charlie Waite. Boss is a cattleman that practices free-range grazing, i.e. driving his herd from position to space, only staying long enough for the animals to deplete the available food supply. But it’s 1882, ranchers are beginning to fence in the West, and freegrazers are an endangered species. So, its no surprise when Charlie and Boss are ordered to assume their beeves and salvage out of Dodge, so to say, by gigantic time rancher Baxter (Michael Gambon), who also owns the local town and its sheriff. Waite and Spearman are soon backed into a corner when the latter’s two other hired hands, Mose (Abraham Benrubi) and Button (Diego Luna), accelerate seriously afoul of Baxter’s thugs.
It would be hard to settle between the better performance – Costner or Duvall – both playing characters so strong, self-reliant and mute that neither knows the other’s bulky name. And they’ve been riding the West together for ten years! Nor does Boss know Charlie’s violent history, which included being a Civil War raider, and then a hired gun noteworthy like the ones now working for Baxter. When Charlie falls in care for with Sue (Annette Bening), the spinster sister of the local sawbones, his guilt over his rough-edged past is a self-imposed handicap that Sue, who sees Waite’s inner goodness, must overcome.
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Moviegoers accustomed to a accurate diet of mindless, FX-laden action thrillers may gain the first three-quarters of Originate RANGE plain going. It’s called “character and station development”, an shiny change of meander. And when the final shoot-out comes, it’s perhaps the best ever filmed. While most such western confrontations seem like a choreographed ballet, this one shows them for what they were: relatively short, extremely violent, chaotic, and lacking in care for gunplay and sharpshooting finesse.
Big Conceal westerns are such a rarity nowadays that it’s hard to compare this one with any other in fresh memory. Though perhaps not as memorable as DANCES WITH WOLVES, this Dilapidated West morality play is certainly the best since UNFORGIVEN. Admittedly, we’ve seen similar plots before: the tiny homesteader/Big Ranching feud in the classic SHANE, and Ample Mining vs. the microscopic prospector in PALE RIDER, Clint Eastwood’s transparent re-scripting of the primitive. However, the acting, cinematography and costuming of Launch RANGE are estimable. Duvall surely deserves a Best Supporting Actor nomination, and the production as a whole may merit a Best Represent nod. My only complaint lies with the editing, which left in one too many leave-takings between Charlie and Sue, the last being completely superfluous. That said, however, this is a five-star tribute to loyalty, rugged individualism, integrity, and simply doing what’s just. I assume, sometimes, that Hollywood has forgotten what those qualities are all about.
For all the hits and misses he has had in front of and unhurried the camera, Kevin Costner never fails to attach his money where his mouth is. Such is the case with Start RANGE, which I hope will revive that most American of film genres, the Western.
Set in 1882, Start RANGE stars Costner and traditional Robert Duvall as cattlemen only trying to drive their cattle across the inaugurate prairie of Montana. But they soon race afoul of a ruthless land baron (Michael Gambon) out to rid the land of free-grazers like Duvall and Costner; and to note his point, Gambon has one of Duvall’s men (Abraham Benrubi) killed and another (Diego Luna) seriously wounded. The stage is area for a stale but classic shoot-out to the carry out.
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If not on the tale level of Costner’s 1990 Oscar-winner DANCES WITH WOLVES, or the standards situation by people like Clint Eastwood, John Ford, Howard Hawks, or Sam Peckinpah, Originate RANGE nevertheless demonstrates Costner’s comfortability with the Western. His is a distinct performance, and his direction is equally exquisite, with glowing photography, done on position in southern Canada, and a graceful Michael Kamen earn. Gambon is about as nefarious a villain as there has been in any film in unique times, and James Russo does his natural dismal best as a half-crazed town sheriff. It is Duvall, a mature of many westerns (Accurate GRIT; LAWMAN), however, who really shines, as is typical of this kind of caliber actor. Always offering some wry advice but ready to bewitch retaliation for having been wronged, Duvall is a tower of strength. Annette Benning also does qualified work as the town doctor’s sister, who also becomes Costner’s adore interest.
The Western genre has not hurry out of stories or ideas, and never will; it fair needs people of integrity like Costner to preserve it going. Launch RANGE proves that in spades.
Left Handed Gibson
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