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Movie Title: Of Human Bondage
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Yes, this movie is “dated” in a stylistic sense, but so what. Davis and Howard are both so superb it doesn’t matter. And there is nothing dated about being hopelessly “in bondage” to something or someone – that realization is ultimately what makes the movie so depressing to behold. We can “identify” with Phillip’s horrendous treatment at the hands of Mildred because he is obsessed beyond his ability to reply rationally.

The film’s most distinguished line….”You cad!, you dirty swine! I never cared for you not once! I was always makin’ a fool of ya! Ya bored me stiff, I hated ya! It made me SICK when I had to let ya kiss me. I only did it because ya begged me, ya hounded me and drove me crazy! And after ya kissed me, I always mature to wipe my mouth! WIPE MY MOUTH!”….. is so emotionally charged and devastating one can not befriend but recount to it at a gut level. The viewer is completely drawn in to Phillip’s psyche and his unbearable wound. Davis is simply bright in this movie, and she utters this line as convincingly as any in her noted career.

A five-star movie which I have to rate 4 because of the terrible DVD transfer. No better than my VHS copy. Perhaps not great can be done to improve a movie this broken-down but it appears that no anxiety was made to do so.

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Otherwise a classic in every sense.

Of Human Bondage, based on the current by Somerset Maugham, is a remarkable but uncomfortable film that I pick up strangely mesmerizing. Leslie Howard stars as Philip Carey, an introverted, artistic man who comes to London to search for medicine after abandoning his dreams of becoming an artist in Paris. Carey was born with a club foot, and we peer rather mortified as one of his instructors makes him explain his foot to the class, revealing the embarrassment that he normally keeps contained on the outside. One day in a nearby café, Carey sees waitress Mildred Rogers (played fabulously by Bette Davis), a rather ill-natured, brazenly taciturn waitress. Her attitude is rather gross and certainly exclusive and frigid, but Carey is immediately fascinated by her. After inexplicably falling in savor with Mildred, he succeeds in winning a few dates with her, putting up with her mind games, deception, and seeming lack of humanity. She is frustratingly noncommittal in everything he asks her, replying “I don’t mind” to virtually all of his questions and allowing him almost no emotional contact with her at all. He finally resolves to ask her to marry him, but she shocks him by declaring her impending nuptials to another man. Carey’s depression grows, and his grades in medical school suffer horribly. In time, he finds a young woman who is a bit matronly but genuinely cares for him. Then Mildred shows up again, pregnant and alone. He takes care of her with money he doesn’t really have only to eye her leave again with another man. This trend continues throughout the chronicle. Whenever Carey finds happiness within his buy, Mildred shows up unannounced, and he finds himself powerless to assign himself from her debilitating influence on him.

Carey and Mildred are complicated creatures. While Mildred basically comes off as an unfeeling tramp, one can’t aid but gain that there is something human inside her that is genuinely attracted to Carey and the kind of gentlemanly life he can offer her, but her affections continually expose themselves fickle at best. As for Carey, his fatalistic adore for Mildred makes no sense whatsoever, as she never fails to treat him harshly. Other women do near to cherish him deeply and truly, and Sally, the daughter of one of his patients, seems perfect for him, yet one strongly senses the fact that he can only truly admire Mildred. It is really that fragment of the sage and not the tragic life of Mildred herself which makes this movie so poignant and shaded.

Of Human Bondage is the movie that made Bette Davis a verifiable star plot relieve in 1934. Her performance is certainly astonishing, but she really provides only a hint of the actress she would become. The fact that her character is so impossibly self-serving and unfeeling makes it hard to identify with or like her (especially when she gets enraged), yet Bette Davis makes her an unforgettable character of almost hypnotic fascination. I should say that Leslie Howard is also astonishing in this movie. The kind of mild passive resistance he showed five years later in Gone With the Wind is a perfect match for the character of Philip Carey. He is almost incapable of standing up to fate, allowing his life to be brought to the point of raze, both financial and emotional, by a woman who seemingly lives to torment him. I’m always left with a odd feeling after watching this movie, one of unfamiliar disquiet and sentimentality. Released in 1934, Of Human Bondage remains a worthy and compelling tale of human passion, and Bette Davis’ performance is eternally magical.
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