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“Involving Midway”
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“A Southern Plantation and the Legacy of Slavery”
Amos Lassen
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New from First Speed Features is “Interesting Midway”, a family documentary about one of the most controversial icons of American history, the plantation. The film follows the to do when director Godfrey Chesire explores the mythology of the plantation in the cultural history of this country. This happens when his family’s plantation home is taken from its foundation and moved several miles to a original place.
In 2004 in the spring, Chesire went home to North Carolina and learned that his cousin, Charlie, who owned the family home, Midway Plantation, wanted to go the building because he was bothered by the growth of the city of Raleigh. Of course this was a controversial decision because of the memories the house contained. There was also a secret that Charlie revealed–it seemed that an African-American man now tedious, had provided evidence that there has been a sexual liaison between one of the ancestors and a slave and that the family has an extensive African-American branch.
Interestingly enough, Chesire is led to a Dr. Robert Hinton (same family name as cousin Charlie) who is professor of African-American history at NYU who maintains that his grandfather had been born a slave at Midway. From this chance encounter, the two men originate to investigate the past of the house and Hinton begins an investigation on the impact of the plantation on American history. What is discovered is that the plantation evolved into being an icon that deeply influenced American’s plan of urge. We spy how the plantation played a role in history as a cultural milestone from “Uncle Tom’s Cabin” to “Gone With the Wind” to contemporary television mini-series.
When Midway is finally relocated, the party to celebrate the occasion features two different streams of family which had long been separated and the family, like America, is on a ride from the institution of slavery to tubby reconciliation . The party becomes the first step forward away from an embarrassing past.
The film is both a epic and a critique which is fat of grace, notion and compassion. We become privy to a secret of the South’s gothic past as we learn the involving and complicated tale of Midway Plantation. We tour the “moonlight and magnolias” traditions of the worn South to pick up that the moon did not always shine brightly and that the magnolias were sometimes quite wilted.
Film critic Godfrey Cheshire goes slow the camera to purchase an well-known chapter in his family history. It begins in 2004 when his cousin announces that their ancestral home, a plantation house in North Carolina, is going to be moved to a current spot and the land sold to a shopping mall developer.
The massive difficulty that goes into separating a 150-year-old house from the land is unbiased one of many absorbing facets to this personal account that touches on the hot-button social issues of speed and slavery that this country quiet grapples with, especially in the South. During the course of the film project documenting the go of the house, Cheshire reaches out to the African-American roots of his family tree, notably Dr. Robert Hinton, a professor at NYU whose grandfather was born into slavery at Midway Plantation. Hinton expresses very different feelings about the plantation house, the land it sits on, and what it means to separate the two.
Moving Midway successfully blends American social history, architecture and a thought-provoking musing on the mythology of the Southern plantation. Threaded throughout is the entertaining account of Cheshire’s discovery of his unexpected extended family.
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