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MATCH POINT is considered by some to be a departure for Woody Allen, due largely to its setting and its few oddities that can sometimes be an annoying Allen trademark. Yet it is also a well acted and well developed film that would be reminiscent for some of films such as ANNIE HALL. In order to know for clear, a person has to view it to resolve and it’s certainly worth seeing.
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The film tells the epic of Chris Wilton, and Irish born tennis player who realizes there’s only so far his game will lift him, so he takes a job as a tennis pro hoping to do a connection with London’s upper class. His charm and ability ensure this will happen. He meets a client Tom Hewett, the son of a much business leader. Wilton marries Tom’s sister, endears himself to his in-laws, and has a passionate affair with Nola, Tom’s fiancé then later ex-girlfriend. Great of the film focuses on the ways in which Wilton goes to mammoth lengths to conceal up his affair.
The actors fit their roles well. Chris Wilton is played masterfully by Irish born Jonathan Rhys Meyers. Rhys Meyers has the search for of someone who would fit into British upper class circles, and he comes across less as an imposter and more as a climber. Rhys Meyers, who is familiar to many who saw the film BEND IT LIKE BECKHAM, again an Irish lad trying to build it in England, albeit in very different circles, demonstrates he’s a believable and versatile actor. Scarlet Johansson plays the American actress Nola, likewise gives a phenomenal performance. The Hewett Family: Brian Cox as father Alec, Penelope Wilton as mother Eleanor, Mathew Goode as Tom and Emily Mortimer as Chris’ wife Chloe seem like British aristocrats, oblivious to all that is happening round them, yet believable too. Perhaps one of the films strengths is the fact that the Hewetts are oblivious to Chris’ scheming and climbing, and that Chris is not a character whose controlled by ambition as powerful as his desire not to loose the suited life he’s created for himself.
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My guess is that since MATCH POINT was nominated for several Golden Globe Awards and will likely be nominated for Academy Awards too, people will choose scrutinize of this film. One of our local newspapers praised MATCH POINT because it was a Woody Allen film that was not typical Allen fare. Another paper praised it because it is so Woody Allen, but state in London rather than Novel York. The long and the short of it is, chances are you’ll devour this film whether you like Woody Allen or not.
MOVIE: Do you ever sit and glimpse a movie and try and guess the ending? Do you ever try and guess what direction a film is going? Well, I dare you to try and guess this film’s outcome, go ahead, I dare you. Match Point is Woody Allen’s character glimpse as to how luck plays a role in our lives. Match Point opens appropriately enough with a sideline notion of a tennis ball going attend and forth across the gain in dumb motion. The narrator is the relate of the main character, Chris, played by Jonathan Rhys-Meyers. He describes the game of tennis as luck, that once in a while the ball will hit the score. The frame then freezes as the ball hits the salvage, and he describes that luck determines which side of the pick up the ball will tumble. Chris, who is an all-pro tennis player, decides to step down from playing and takes up teaching for awhile while he decides what he wants to do with his life. His latest student, Tom, shares a passion of opera with him and invites him to his family’s balcony seats. There he meets Tom’s sister, and he falls in appreciate with her. However, he soon meets Nola, a fair woman who lures him in with her eyes. He soon finds out that Nola is Tom’s soon to be wife. This is the film as it seems. Chris begins to have an affair with Nola, and after she breaks up with Tom they continue to romance without the knowledge of Tom’s family. He gets married to Tom’s sister and they are now expecting a child, his father in-law lands him a dream job at one of his corporations. Yet, it is collected the lure of the temptress that calls to him. Woddy Allen sets up a scrape for our main character that raises the seek information from between cherish and lust, and luck and fate. While you may question this film to be lustful drama, you have no view where Allen takes you next. The shining aspect of the film, is that there is no procure. I loathe films without a get, I deem music is 50% of a film’s emotional finish on the audience, but where there is no recent accept there is opera. Allen uses opera to structure the scenes, since it is the one thing that ties Chris to the family. The opera changes in tone and emotion as the scene does, so it works to perfection. The film is involving, you may secure yourself debating about what happens in the ruin, but you realize it all ties in with what this movie is about. The film location is something that you’d quiz from Hitchcock, and it is a delicious one at that. The movie is curious and conception provoking even if it doesn’t seem plausible at times.
ACTING: Jonathan Rhys-Meyers does a suitable job even though I believe some of his dialogue seems stilted, but he’s not to blame for that. He does a fantatsic job with what Woody Allen gives him. Scarlett Johansson is perfectly cast as the temptress, and she even gives her somewhat commercial character a human side as well. Broad acting, even though the dialogue is stilted at times.
BOTTOM LINE: The film will lead you one map only to originate a interesting left and remove you where you wouldn’t question. You have no understanding what’s coming, and I dare you to guess the ending before it starts to unfold. The film is gleaming and an intriguing spy, but it really doesn’t boast any technical highlights. Cinematography is nothing to gain mad over, but it’s one doozy of a screenplay.
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