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“Man On Fire” is an intense action thriller that takes you through hell and support. This is not a “overjoyed” movie, and it’s not ravishing. It’s extremely violent at times and the storyline is a reflection of a parent’s worst nightmare–the kidnapping and possible assassinate of their child. While it can be over-stylish at times with savor editing and camera work, it proves to be a more than effective thriller.
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John Creasy old-fashioned to work for the CIA, but now he’s an alcoholic who doesn’t mediate there’s worthy to live for. This is due to the abominable things he has done in his line of work (we never know exactly what he did, but there are more than enough hints) . Starting a unique life in Mexico, his best friend finds him a job as a bodyguard to a nine-year-old girl since the family is apprehensive about all of the kidnappings that have taken set in Mexico. The girl, Pita, takes a liking to Creasy lawful away, but he doesn’t allow her in and treats her as nothing more than a job. Amazingly, he starts to accumulate attached to Pita and finds a unusual reason to live. Not only is he her bodyguard, but he is almost like a second father to her.
Things drastically change when Pita gets kidnapped. Creasy does his best to recall out the kidnappers when it happens, but is outnumbered and has been shot multiple times. While recovering in the hospital, he learns that the ransom for dinky Pita has gone sour and that her captors have most likely executed her. This sets off a rage inside Creasy like he has never experienced before. He checks himself out of the hospital and wages his acquire war against everybody who was alive to in the kidnapping/murder of Pita. And he vows to destroy every single one of them.
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Tony Scott directs this intense and emotional thriller. He does a immense job with the material and he knows how to salvage the performances that he wants from his actors. My complaint is that he goes a exiguous overboard with the love camera work and editing at times, but that is something that can be overlooked. Denzel Washington gives one of his most mighty performances since “Training Day.” He really makes you feel for his character, and his absolute hatred towards the people keen with the foul kidnapping is done in an extremely realistic and convincing scheme. Dakota Fanning does a vast job in her role of “Pita” and does well by playing opposite of Denzel. And, we cannot forget the gigantic Christopher Walken who also does a good job on his fragment. He plays it perfectly and does not try to rob any scenes from Washington.
It must be said, this is a vicious movie. It’s not for people with venerable stomachs. There is one scene in particular that makes the ear-cutting scene in “Reservoir Dogs” stare like absolutely nothing. Denzel’s character doesn’t only want to slay the dreadful guys… he wants to effect them suffer in the most horrific ways, and he does that many times. It’s not a blissful or cute movie. It will disgust a lot of people, so it’s not for everyone. Build positive you sustain that in mind if you determine to rent this. Other than the option to notice the movie in DTS and two commentary tracks, the DVD has no special features. It looks and sounds sizable. It would’ve been nice if they did more with the DVD in the special features department, though.
“Man On Fire” is a remarkable and unforgiving thrill drag that will sustain your heart pumping and your forehead sweating. Other than some of the flashy and expeditiously editing/camera work, the movie really works. Again, this is not for anybody with obsolete stomachs. It is very disturbing and unsettling. If you’re looking for a much thriller with a lot of “bang” and true emotion, then this is something to check out. As unlit and brutal as this movie is, I really enjoyed watching this. -Michael Crane
This is a shaded, clever and very surreal kind of movie. I wasn’t distinct what to inquire when I got the chance to study a preview of it at a UK movie theatre this week.
It starts off as it means to go on, with the kidnapping of a teenage boy, his torture by his kidnappers, the payment of the ransom by his family and his release, a broken shell of the contented go lucky youth he primitive to be.
It is after this introduction we meet Creasy, played to perfection by the actor Denzel Washington. He is the tormented killer-come-bodyguard who is slowly drinking himself to death, a man who has forgotten how to live for as his friend Rayburn, the sparkling Christopher Walken points out to a Police Officer, “Creasy is a man who has made an art out of killing…”
Dakota Fanning gives an pleasurable performance as Pita, the half Mexican, half American child who gets under Creasy’s skin and into his heart and teaches him that it is okay to care and esteem another person.
When Pita is kidnapped and then murdered (or so Creasy thinks), a rage is born inside of Creasy that will only be quenched by the total annihilation of all those enthusiastic in her abduction.
With the encourage of a crusading reporter Mariana, the fabulous Rachel Ticotin and the cynical Manzano, a scrumptious Giancarlo Giannini, Creasy sets about enacting his allege and he does it in style!
This is not violence for the sake of violence, and though there is plenty of blood and guts flying, what surprised me was how well it was done! I am really quite squeamish and though there were a couple of times when I went, “OH YUCK” it certainly wasn’t as abominable I expected it to be and it fitted in TOTALLY with the set.
Mickey Rourke plays the charming but sleazy lawyer Jordan and I was most impressed by Radha Mitchell who played Lisa, Pitas’ mother, she reminded me of Tea Leoni, but with more class whilst Marc Anthony gives a solid performance as Sammy, Pita’s conventional but loving father and last but not least, Angelina Peláez who only has a bit share as the nun Sister Anna but who is able to ogle in to Creasy’s soul and know he is a fallen angel.
“Man on Fire” is not an easy film to collect your head around, the place is quite complex, the cinematography is utterly surreal in parts, flickering in an out as we are treated to images both dependable and imagined and in the background there is the ever menacing point to of dismal public officials and a man know only as the “The shriek” who has kept Mexico in thrall with his constant murderous kidnappings for profit.
The director Tony Scott has done a spacious job; I worship this film with all its twists and turns, its many complex characters, the suited but tormented soul, (Creasy), the innocent (the child Pita) the terrible, (Fuentes a contaminated cop) the plain (Manzano the respectable cop), the stale (Sammy Pita’s father), the sleaze ball (Jordan the lawyer) the delicate, (Mariana the crusading reporter), the tragic (Lisa, Pita’s mother), the expressionless, (Bruno the rather plain Rave Master) and the downright sinful (the Utter) .
The film find is also a crackingly ample example of how you can achieve music in a film and effect it allotment of the whole visual experience.
In fact the music was SO helpful in my notion I am breaking one of my rules, I’m buying the CD! I only do consume a soundtrack when I really Appreciate the music; this is one of those rare occasions!
The whole film is quality on celluloid, and all the actors/actresses are perfect to the parts.
A film beneficial of many Oscar nominations in my humble idea but then quality has never been an Oscar trademark so I am not holding my breath in that department!
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