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The two comments about this being a slash version are misleading. This is the complete theatrical version as released at 238 minutes. There WERE various carve versions that the producers released without the director’s approval, but this is not one of them. It’s the version Visconti sanctioned to be released at the time. To vow of the only version kindly of release as being a 6 hour version is certainly a bit outrageous. Would you refer to the celebrated theatrical release of Bergman’s Fanny and Alexander as chop?
I’m so elated this film finally has been re-released in the American market.
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The scope, cinematography, and character development is edifying. The tedious deterioration and dethronement of Ludwig is very well represented.
The expect as to whether Ludwig is a genius or a madman- or a combination of both- is handled sensitively and intelligently. The portrayal of his enduring appreciate of his cousin (Romy Schneider in one of her finest and most controversial roles) is trustworthy, as is the portrayal
of the wily genius, Richard Wagner, by Trevor Howard, Ludwig, played adroitly by Helmet Berger. is victimized by a lack of royal mentoring and the very favorite inbreeding that often afflicted European royalty. All in all, the historical representation is enlightening as exemplified by the backdrop of Bismark’s consolidation of the disparate German kingdoms into unique Germany in 1870. I was ALSO impressed by the representations of Ludwig’s castle without rooms, and his underground grotto with swan boots in a spring. The film gets delicate bizarre at times, and the ending in particularly puzzling and strangely justified.
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I’ve seen this four times and each time I bag something current and appealing. On the other hand, the film is long with subtitles which may turn off great of the American audience. I feel this movie is most like another Visconti masterpiece “The Leopard.” which also depicts the
demise of the preeminence of European monarchies in the nineteenth century. Also the obsessive homoerotic element is reminiscent of Visconti’s
adaptation of Thomas Mann’s “Death in Venice. For someone who loves first rate European “art films;” Ludwig is a steady boon!
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