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Movie Title: Love Actually
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“Esteem Actually” is unprejudiced the factual mix of romantic comedy and drama to leave you with that warm, fuzzy feeling as you leave the theatre. It’s an ideal Christmas movie for moms and dads who want to scrutinize something else while the kids venture into more PG films.

Writer/director Richard Curtis enlists a plethora of some of the finest British actors (and a few powerful Americans) to mutter several different esteem stories. While it seems that there may be a few too many characters at first, the overall journey of the film allows the viewer to hold track quite easily. The cast is led by the ever-so-charming Hugh Grant as the British Prime Minister. While some critics have called this casting incredible, Grant actually pulls it off by portraying a more human, but yet stronger PM that we would all treasure to have leading us. His dance to the Pointer Sisters’ “Jump for My Treasure” borders a bit on ridiculous, but it is nevertheless fun to explore. In the film, the PM is caught between leading his country with a positive head, or giving in to his feelings of attraction to his tea server Natalie (played by musical actress Martine McCutcheon) .

And then there’s Emma Thompson, who plays Karen, sister to Grant’s PM and a long-married devoted mother. She suspects that her husband Harry (Alan Rickman) may be cheating with a sexy co-worker. Her performance, simply assign, is a revelation. The scene where she is in her bedroom is an example of phenominal acting. Hollywood Foreign Press and Academy members: please acquire gaze!

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Another strong performance award goes to Bill Nighy, who provides most of the film’s amusing relief as aging rock star Billy Mack. He puts out a cheesy Christmas describe and then publicly bashes it. But in classic Hollywood ending style, he does have an epiphany and realizes his wild musician life has been missing apt affection.

Liam Neeson shines as widower Daniel who tries to wait on his young stepson rep the heart of a common school crush. Equally sweet is Colin Firth as Jamie, a man recovering from a broken relationship in France who falls for his monolingual Portuguese maid. You know what? This film is such an abundance of stout performances that I will hasten out of place discussing them all! Everybody shines! My only cast complaint is that Rowan Atkinson should have been given more shroud time.

What I also appreciate about “Like Actually” is that Curtis doesn’t, if you’ll pardon the pun, wrap up each epic in a gay limited Christmas package. There are a few black, realistic moments, particularly in the Karen/Harry subplot and in Laura Linney’s turn as Sarah, an assistant who has waited so long to be with the man she loves. She realizes, in some of the film’s key dramatic instances, that family matters are getting in the plot.

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All in all, Curtis has struck gold again, in tradition of movies like “Four Weddings and a Funeral” and “Bridget Jones’ Diary.” Yeah, some of the admire stories may be a microscopic far-fetched, but aren’t they all in fantasy movie world? What matters is that they are sweet and not without their part of obstacles. This film is a nice departure from some of the more disturbing violent films as of gradual. But be warned: it is a miniature more adult than most other comedies in theatres. The innuendos, language, and nudity secure the R-rating. So glance it without the young kids, but do appreciate.

My rating is based on my enjoyment of this film. It has both major strengths and serious weaknesses, and as other reviews point to has fostered very strong reactions, both certain and negative. Its format is somewhat disconcerting if you are not prepared for the methodology of the director. It contains nudity, profanity, sexual situations, and several situations that are very suggestive and some moviegoers may reflect to border on the vulgar. However, the situations that some people may mediate offensive actually encourage a purpose in developing the overall theme of the film.

Love, in all its manifestations – wonder, joy, damage, happiness, passion, concern… is the theme of the film. A very talented ensemble cast is utilized to grunt several somewhat interrelated stories concerning the emotional lives of the various characters. The cast includes Hugh Grant, Liam Neeson, Colin Firth, Emma Thompson, Laura Linney, Kiera Knightley and Alan Rickman. There are also telling cameos by Billy Bob Thornton and Rowan Atkinson. There is one other notable element of the narrative, it begins five weeks from Christmas and there are several aspects of the various vignettes where the seasonal aspect is a crucial element.

One of the more spellbinding and complex stories involves Liam Neeson and his young stepson preparing for the funeral of his wife, which has been provocative scripted by her prior to her death. As he subsequently tries to deal with his danger, he is alarmed about the fact that the boy is isolating himself in his room. He is surprised to glimpse that while his son is disconsolate at the loss of his mother, more importantly he is heartsick over his unrequited worship for a girl with whom he attends school. As they concentrate on his son’s predicament and design a concept to attract her attention, the dialog ranges from humorous to quite profound. And, as the movie progresses to the time of the school Christmas pageant their record gradually becomes interwoven with several of the others. Some of the most hilarious segments are in another thread of the movie exciting Bill Nighy as a washed up pop singer trying to recycle one of his faded care for songs as a Christmas picture. He effectively caricatures the dissolute rockers who abused their bodies for too long with drugs, booze and sex. Yet in the ruin, the alternate humor and pathos of his status are resolved in a very effective and quite emotional scene. In yet another thread, a scene with Emma Thompson listening to a Joni Mitchell recording and thinking about the “both sides” of her life and treasure is a trusty tearjerker.

So this is a roller coaster of laughs and cheap humor combined with valid insights about cherish and the damage that it can cause. If you aren’t living in a bubble, you will probably record to the experiences of at least one of the characters to some degree and knowingly nod in recognition of the similarities of others to people that you know. It is arguable whether the message of the film would be better conveyed with a fewer number of stories examined in somewhat more depth, but I deem the result is quite considerable. Lives which seem only tangentially connected turn out to have a profound influence on others, and we really feel that we have near to understand the characters that we have been watching.

My first worry with the movie is that the complexity of developing so many stories means that it is well over two hours long (with the previews and unconscionable ads we were in the theater for well over two hours) . Second, the audience is introduced to a very sizable number of characters during a very short period of time, since all the stories are interspersed sequentially as the movie proceeds toward Christmas Day. Very few individual segments until the finale are more than three or four minutes in length. However, the disorientation that I felt at first from the constant scene shifts was offset by the fact that this technique was successful in keeping the audience very interested; the film actually seemed shorter than it was because of the constant action. So, it was fun while actually conveying a message at the same time. I also want to peek it again, since this is the type of movie that I often delight in more during subsequent viewings. I get that once I know the basic chronicle line and the relationship of the various characters, I can then pay attention to a lot of the details that went were difficult to devour because there was so remarkable constantly happening during the film. (In fact, as I was thinking about the film prior to writing this review a few such instances came to mind.) So, go notice this film when you have time to relax and want to laugh and witness life for a few hours.

Tucker Andersen

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