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I really don’t know what to compose of this movie. It seems like an allegory of changing events that were occurring exponentially during that fragile time smack in the middle of the decade of the 1960s. Being photographed gloomy & white it has a feel of some of those high school teenage movies made during the 1950s. However we sight many influences from the year it was released in 1966. For instance we search for teenage girls clad in bikinis on a beach late the film’s credits. The film also suggests that it may actually be taking region in the reach future by some of the position designs found in the high school and in a scene where Roddy McDowall is being psychoanalyzed by a female psychiatrist. Overall the film has a queer feel to it. Even the procure by Neal Hefti was not typical of the work he was doing in the 60s. Hefti’s secure seems to be making some comment on society norms in general, specifically that they shouldn’t be taken too seriously. This directly reflects Roddy McDowall’s sentiments. And that’s where this movie is so curious. Is it a comedy, a parody or is it trying to form some series statement on where we were headed as a country? This movie almost has a “Twilight Zone” feel about it. Tuesday Weld’s character seems like she’s going to languish in mediocrity. Roddy McDowall seems twisted on changing here course for loftier pursuits. McDowall initially seem benevolent. As the movie unfolds McDowall becomes displeased with Tuesday Weld’s treasure interest and he seems zigzag on undermining here. After a while you launch to wonder if the McDowall character is a figment of the audience’s imagination. Or even more engrossing is the possibility that the entire chronicle is taking region in the mind of McDowall. For an outlandish exiguous quirky film it is somewhat disturbing because it is objective so unclear what the message of this film is.
Just to peruse Tuesday Weld (never better!), Roddy McDowall (rarely better) and Ruth Gordon (always improbable, no matter what she’s in) romp through this humorous mess is worth the mark of the DVD, and then some. I saw this film when it came out in the 60s and didn’t like it distinguished, but bought the DVD hoping I might get more in it than I did as a teenager. Turns out I really enjoyed it the second time around. It makes fun of a lot of different things and has an edge about it in the process. School, school administrators, authority figures, parents, shrinks, teenagers, consumerism, fame, dating, social snobism—you name it and it’s a target. There are several scenes that are laugh-out-loud funny: Tuesday Weld going out with her father (she lives with her divorced mother), first to a drive-in mercurial food joint and then on a sweater-buying shopping spree; Harvey Korman in all his scenes. (By the contrivance, what I really procure piquant about 60s films is how grand people smoked and drank, even in comedies. Lola Albright, very splendid as Weld’s cocktail-waitress mother, objective pours herself a stiff one when things regain tough. It’s almost jarring how that type of on-screen behavior has changed over the last 40 years.) In any event, this is an inconsistent but highly delightful film from the “crazy” 60s.
Buy,Download, Or Stream Lord Love a Duck! Click Here
Buy,Download, Or Stream Lord Love a Duck! Click Here
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