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Movie Title: Kung Fu Panda Kung Fu Panda is available for streaming or downloading. |
From the very beginning, Kung Fu Panda had me practically falling out of my seat — laughing. It was the perfect blend of comedy, heart, and action, all famous elements in a successful and colossal animation/CGI film, in the tradition of The Incredibles and (less action, but containing the heart and laughter) Ratatouille, Finding Nemo and Monsters, Inc.
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I was laughing, smiling, and guffawing at Po, the main protagonist (voiced by Jack Gloomy) and his misadventures at becoming a Kung Fu expert. This was certainly a flawed character, one that a lot of people can recount to because he dreams, he’s amusing, and he can laugh at himself. Also, the yarn was delicate obvious and easy to follow because the storytelling was well crafted, and the animation was paired well with characters brought vividly to life by some of the most celebrated names in Hollywood.
Jack Sad and Dustin Hoffman are downright obliging as the main characters, and Ian McShane as the dreadful dude gave it the factual stunned presence. Other sizable name stars don’t shine as noteworthy, but that’s because their roles are rather cramped in the film. But that’s calm okay because the animators should be given equal credit (if not more) for delivering the laughable, action and heart elements of this movie in an effective, unbelievable and (I’ve got to expend this) AWESOME manner. Visually, this movie is graceful (peep all those scenic shots of the Chinese mountains, bodies of water, and the bridge scene; not to mention the action animation version of “The Matrix” with slow-mo) … simply a delight to leer.
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It’s certain that Dreamworks has gotten relieve in the animation game with Kung Fu Panda, after shrimp ho-hums in Shrek 3 and Bee Movie (call me crazy, but I liked Over The Hedge more than those two) . Hopefully, it should rep well over $500M worldwide because it is so obliging.
This movie rightfully belongs in the top animation movies of all time (okay, let’s not include the classic fairy tales of old; let’s start with the 90′s onwards), alongside my faves “The Incredibles” “Finding Nemo” and “Beauty & The Beast.” Has the makings of being a classic.
Enjoy!
With deep foreboding, I walked into this movie braced for second rate animation (at least compared to Pixar), endless fights between cartoons (as in the CGI “Clone Wars”), and a cultural sensitivity that was either painfully preachy (like “Mulan”) or outright insulting (like “Aladdin”) .
At first, my fright seemed confirmed. Unpleasant Dustin Hoffman mangles Chinese names without mercy – so great so that James Hong, Lucy Liu and Jackie Chan have to deliberately mispronounce stuff fair to match what he says.
But once the movie got rolling, I found myself grinning from ear to ear in sheer delight. Yes, it’s moral, Dreamworks can’t compete with Pixar’s technology, but they get up for it with exquisite graphic construct, sheer wit and – of course – those hilariously quivering “Scrat Eyes”. What’s more, the animators somehow manage to originate Kung Fu battles between cartoons both inspiring and savory – every bit the match of live action fights (which nowadays are nothing more than CGI with faces pasted on) .
However, the most grand thing about this film is how faithful it is to Chinese culture – family dynamics, Buddhist philosophy, values, and even martial arts – this film simply HAS to have been written by Chinese. There is never a moment where it strains to “collect points” with political correctness. Its characters are never tediously qualified “anti-stereotypes”, but are instead lovingly depicted with all their flaws intact while uniquely Chinese messages are delicately hidden within a space crammed with excitement and laughter. Here you experience how parental esteem turns into suffocating pressure, here you look teenage rebellion as a monstrosity rather than a virtue, here you peruse the quirky characters of a city (complete with that wobbly “saunter foot” scramble), here you hear the wisdom of Zen detachment, and here you experience the sacred relationship between student and teacher.
Perhaps my conception is biased by the surprise this movie gave to my vulgar expectations, but I can’t back but notice this film as an unappreciated but precious gem. Now if only someone could do the same thing with Islamic culture…!
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