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“I’m not horrified” is the kind of film that gives you a headache afterwards from all the contemplation that it forces you into. You will not be able to discontinuance thinking about the many questions and implications posed by this most troublesome film. It is an absolutely intelligent movie, almost ruinous in the depth and complexity of its underlying themes. “I’m not unnerved” is a legend about a young Italian boy, but the movie is overwhelmingly archaic and mesmerisingly developed.
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Some of the other reviewers have very unscrupulously given away the main “surprise” of the film. Since the discovery is half the fun, I would not deprive you of the pleasure by spoiling it for you. Thus I am forced to “narrate around” the movie without actually giving away the most crucial parts of the state.
Suffice to say that the record revolves around a young, naive, but pure-hearted boy Michele, who is growing up in a diminutive rural Italian village. He makes a unsightly discovery and soon finds himself entangled in a world he does not fully understand. His parents, and perhaps the entire village, harbour an unspeakable secret. There are many significant themes in the movie. Perhaps the most determined one is Michele’s premature coming-of-age; the ruin of innocence. Michele is forced by fate to deal with tough legal issues which no boy his age should have to deal with.
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Disillusionment is another major theme. Every child begins his/her life believing his parents to be infallible and all-knowing, all-protecting. If one makes some grave mistake, surely mommy or daddy will fix it and accomplish it better. Every child must necessarily go through the potentially traumatic discovery of his/her parents’ imperfection as allotment of growing up. Michele is forced to experience this on a devastating scale. As he feels the world he understanding he knew crumble above him, he is forced to slowly rep that he needs to personally step up to the plate.
The final, and in my understanding perhaps the most notable theme, is: “what does it mean to be a Hero”? This is a favourite theme in movies, across a wide variety of genres. Films as different as the “Spiderman” series and Jet Li’s “Hero” each give their gain interpretation. In “I’m Not Unnerved”, the put a question to is only hinted at, and the reply is only given in muted voices and subtle suggestions. Yet it pervades the entire account. The young actor who plays Michele brilliantly portrays his character’s confusion, frustration, and ultimate acceptance (of what he must do) as he tries to grapple with and understand the grand evils going on over his head. The world of grownups has never looked dirtier.
However, I don’t assume the acknowledge is something as simple as “do what your heart tells you” or “do the true thing”; it’s mighty more nuanced. Almost none of the characters in the movie are one-dimensional or “black-and-white”. Michele’s mother is clearly impartial as trapped as her son in a belief not of her deivising. Michele’s father is an even more lively and morally ambiguous character.
The ending of the film is somewhat predictable and perhaps too poignant. However, there is a completeness, a ‘unity’ to it that brings the movie beefy circle. Something about the record demands this ending; none other would do. One thing is for certain; by the raze of the movie, Michele has indeed become a Hero.
Great film with a haunting soundtrack. It’s too abominable these types of movies aren’t typical of US film makers. The one thing I’ve always appreciated about foreign film makers is their unprejudiced portrayl of children and childhood….no dismay of sending the deplorable message to a paranoid culture. If you appreciate boys or boyhood and can remember your occupy childhood you’ll admire this film. It’s endearing, suspensful, and stays with you. It’s definitely one of the best of the year…foreign or otherwise, and I’m an avid moviegoer with itsy-bitsy tolerance for abominable films. Check it out!
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