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It’s a shame that Gary Cooper, today, is largely remembered for only “High Noon”, his Hawks and Capra films (“Sergeant York” and “Mr. Deeds Goes to Town”), and as Lou Gehrig in “The Pride of the Yankees”; in his day, he was as sexy and celebrated as Clark Gable, and more esteemed as a cowboy star than John Wayne!
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“Gary Cooper MGM Movie Legends Collection” offers a selection of titles that will, hopefully, spark renewed interest in this most charismatic American ‘Original’. While, sadly, the collection offers tiny in bonus features, and, with the exception of “Barbara Worth”, appears to be unremastered (which is why I only give it 4 stars), each film is very gripping!
“The Winning of Barbara Worth” (1926), was, of course, Coop’s breakthrough role, after three years of stunt work and bit parts, and is a bona fide classic. As ‘Abe Lee’, the young cowboy/surveyor suitor of Vilma Banky, his sexy, natural style would hold the film from star Ronald Colman (in Colman’s defense, his role was more restrained, and less consuming) . The film, based on a best-selling current about harnessing the Colorado River to irrigate the desert, garnered grand reviews and box office, and gave Coop a spectacular ‘start’… (5 stars out of 5)
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“The Cowboy and the Lady” (1938), a ‘modern-day’ Western comedy/romance, presented Coop the blueprint 1930s’ audiences loved him best, as a slow-talking, incorruptible cowboy irresistible to women, but a ‘gentleman’, in the best sense of the word! Falling for the daughter of a Presidential hopeful, posing as a maid (Merle Oberon), he marries her, discovers the charade, then storms into a posh political dinner and speaks so mighty ‘common sense’ that her family moves to his ranch! With life-long friend Walter Brennan as his sidekick, this is a right charmer! (5 stars out of 5)
“The Steady Glory” (1939), released shortly after his classic version of “Beau Geste”, another ‘action-oriented’ adventure, though lacking the “Geste” polish and style. Coop is a military doctor in the 1906 Philippines, who, with friends David Niven and Broderick Crawford, attempts to aid the Filipinos fight off an army of insurgents. Action was never producer Sam Goldwyn’s forte, and the film lacks the warmth of a “Gunga Din”, although it does offer a rousing climax… (2 1/2 stars out of 5)
“Vera Cruz” (1954), produced by Burt Lancaster and Harold Hecht, is a spectacular, large-scale western, filmed in Mexico. Ex-Confederate Cooper and bandit Lancaster are uneasy partners guarding Denise Darcel and millions in gold, during the Mexican Revolution. While the aging Coop wasn’t well during production, he unexcited gives a solid performance, although overshadowed by Burt’s flashy portrayal; the film offers a
fabulous supporting cast, including Ernest Borgnine, Charles Bronson, Cesar Romero, and Jack Elam. “Vera Cruz” was a major influence on Sergio Leone, and has achieved legendary area, among fans of the genre! (5 stars out of 5)
There is a LOT to savor, in this Gary Cooper collection!
Gary Cooper is my well-liked actor and this is an advantageous collection to showcase his diversity as an actor.
The Winning of Barbara Worth is a restful film made in 1926 and was his first credited camouflage appearance. The legend revolves around a young woman named Barbara Worth, her family and other members of the town they live in out in the Nevada desert where they are trying to reroute the Colorado river in order to irrigate the town and compose it more habitable. After a year of appearing in movies as a stunt rider, a 25 year veteran Gary lobbied to come by the supporting role of Abe Lee, the son of the surveyor who is working on the irrigation project and a childhood friend of Barbara who he is also in savor with. He had already been hired to be a stunt man but he wanted to try his hand at sincere acting. They had already cast that allotment but the actor who was to play it was detached finishing another movie. As it became definite he would not be able to compose it they gave Gary the portion. The irrigation project is successful and the river is diverted but unfortunately after a short time the system is in anxiety of failing and flooding the town. Gary’s character must endure a 24-hour horse dawdle into town from the dam place to warn them. He is supposed to near at Barbara’s house and knock on the door. When it is opened he is to say the dam is about to rupture and then plunge flat on his face faded out from his long, arduous stagger. He absolutely nailed the scene and indeed he was so superior that the studio was petrified he would demolish up being the star of the recount and not Ronald Colman who plays the lead and is the son of the man in charge of the dam construction project. They were instructed to either reduce that scene or reshoot it with Colman making the swagger instead, they opted to reduce it so unfortunately it does not appear in the film. However this scene as well as his others gave everyone a look of the wonderul, natural acting ability Gary had even that early in his career. This movie was a vast hit when it was originally released and it has an spellbinding epic and astonishing special effects as seen when the dam does fracture and the town floods.
The Valid Glory was made in 1939 and is area in the Phillipines during the early 1900s. Gary plays an army doctor named Bill Canavan and his outfit is fraction of a itsy-bitsy group of soldiers that are left on the island to try and encourage the natives defend themselves from other warring tribes. It is a very obedient adventure legend with lots of scenes shot in the jungles and also in raging rivers. There’s a nice cherish fable mixed in and the characters are well developed and very likeable.
Vera Cruz was made in 1954 by Burt Lancaster’s production company and he costars with Gary in this very piquant western status in and filmed in Mexico. Gary and Burt play two men who sell their services as soldiers of fortune to the highest bidder during the Mexican revolution of 1866. They raze up on the side of the emperor and are charged with protecting a lady friend of the emperor on her walk to Vera Cruz. However it gets complicated when the two men realize that along with the radiant woman they are also transporting a spacious chest of gold that is going to be ancient to pick weapons. They along with the woman played by Denise Darcel hatch a opinion to do off with the gold themselves. Burt and Denise for selfish reasons but Gary intends to give it to the people who are fighting to oust the emperor. There are many fantastic scenes including displays of savor curious shooting at the emperor’s palace and also of a festival in a exiguous Mexican town with brightly colored costumes and decorations. Fabulous acting performances all around and a very piquant film.
The Cowboy and the Lady was released in 1938 and is a very laughable, charming anecdote about a wealthy young woman played by Merle Oberon whose father is running for president. She has a very tiring, life and is not allowed to have mighty fun so one night she rebels and goes to a night club to dance but unbeknownst to her it’s also a gambling den which is raided by the police. In order to retain her out of any more wretchedness her father sends her to his house in Palm Springs. Here she meets a cowboy played by Gary who is in town for the rodeo. He’s from Montana (in genuine life he was from Montana) and he’s making the rodeo circuit looking for a wife. She pretends to be a ladies maid so no one will inspect her proper identity of a presidential candidates daughter and she and Gary descend in treasure. He proposes to her but she brushes him off because she knows her father wouldn’t approve of her marrying a cowboy. Her heart gets the better of her however and she catches the boat he’s sailing to Galveston on unprejudiced as it’s leaving. While on the inch they win married and she decides to head serve home to Palm Springs while he finishes up his tour with the rodeo then they will meet encourage up at his Montana ranch. However before that can happen he discovers that she lied to him about who she was. But don’t concern, it has a gratified ending and is fair a joy to behold. My accepted scene is of Gary on his ranch pretending to play house in the modern home he’s building. It’s honest a frame so all the workers on the ranch can perceive him pretending to seat his wife at the dinner table and then also pretending to eat. When he’s caught he invites them all inside and serves them imaginary drinks!!!
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