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Movie Title: End of the Spear
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Hollywood makes movies all the time that involve the murdering of innocents. However, these movies rarely illustrate any obvious consequences that result after the murders, let alone any spiritual sentiments or good view that occur within the murders themselves. Demolish OF THE SPEAR is a film that not only does both these things, but also tells how the deaths of those killed helped bring about the salvation of an entire hurry of people from the verge of a self-inflected extinction.

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END OF THE SPEAR is largely a movie about the Waodani people. The Waodani are a people that live in the jungles of Ecuador. Despite the pressures of the outside world that continued to squeeze the environment and resources of the Waodani, they continued to live a self-sufficient and self-contained life in the jungle. That is, except for one crucial element: the Waodani were killing themselves to death. For whatever reasons, the Waodani had split into different tribes. The lack of resources and women caused the tribes to get raids upon each other. If a child lived after one of these raids, he would grow up to witness revenge upon those who had killed his family. Thus, relieve and forth the violence continued for several generations until only a handful of Waodani were left and they were on the verge of a self-inflicted genocide.

They were saved by a group of missionaries. Five young men slowly made contact with the tribe. Eventually, they attempted to have a face-to-face interaction with members from the tribe. The attempt ended in the execute of the five men (Jim Elliot and Nate Saint included) . Undeterred the wives and families of the murdered men contacted the tribe and came to live with them. This act of compassion, grace, and mercy proved to put the Waodani from both disease and themselves.

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In Christian circles, the lives of Nate Saint and Jim Elliot have taken on almost mythic proportions. Consuming as their lives were, the movie Ruin OF THE SPEAR helps to ground the record in truth and reality by telling the chronicle from the perspective of Mincayani, a Waodani leader and the man who killed Nathan Saint.

END OF THE SPEAR was made on a shoestring budget with itsy-bitsy promotion. Yet, except for the sometimes cheesy voice-overs, the record appears to have the budget of a normal motion portray. The cinematography is colorful, the acting is salubrious, and the editing concise. There is a spiritual slant to the movie, but unlike many Christian films the Gospel message and memoir of conversion isn’t contrived. Instead, it occurs naturally and fits with the jog and fable of the rest of the film.

Granted, Ruin OF THE SPEAR isn’t for everyone. It begins rather slowly and there are a few awkward moments. Nevertheless, the filmmaking in Demolish OF THE SPEAR is on par with the average Hollywood flick and its storytelling is on a level above distinguished of the garbage that Tinsletown vomits out every year. The movie is not only based upon a proper legend, but stays accurate that record and has a broad message about compassion, grace, and reconciliation. Hollywood could learn a thing or two from a film like this.

Some of the magic of Hollywood is its ability to grasp a account and effect it “bigger than life”. Visually, graphically, technologically Hollywood is able to do fantastic larger than life productions. What struck me about this movie is that instead of this movie being larger than life, the sincere lives lived by the men and women portrayed in the film were so considerable larger than the movie. That is not a criticism of the movie, instead it is a incredible window into the weighty loyal lives that they lived. Often we contemplate movies in order to dash reality and enter into another world. This movie inspires us to enter into not an imagined world but into reality – the kind of reality that we all long for – a life that is weighty, loyal, meaningful – a life worth living.
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