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Ed Wood (1924-1978) is generally regarded as the single worst film maker to emerge from Hollywood. This is not really suitable, for there were and are aplenty worse. But one thing has always site Wood above the pack, and that was his contain unshakable faith in his talent. Unfortunately, the faith was misplaced and the talent was nonexistent–and although this Tim Burton film takes a slew of liberties with the facts of Wood’s life and career, it does a considerable job of capturing them as Wood likely saw them through the filter of his bear faulty ego.
The film has two ample assets: the performers and its visual style. Johnny Depp leads the cast in the title role, and it is a virtuoso performance, for he entices us to like a man whose self-blindness would normally lead an audience to reject him out of hand; the performance is incredibly witty, wildly over the top, and yet it contains fair enough pathos to allow us to characterize to Wood on a human level. But the proper stunner in the cast is Martin Landau, who picked up a Best Supporting Academy Award for his performance as Bela Lugosi, a legendary actor who was very noteworthy a forgotten star (not to mention morphine addict) by the time Wood befriended him in the early 1950s.
As with Wood himself, the film plays like a flash and loose with the facts of Lugosi’s life, but it nonetheless captures something very famous about both Lugosi and the Hollywood that destroyed him, something very elemental that transcends the curious comedy of the part. And Landau gives the performance of his career; you truly bear that this is Lugosi before you, a uncommon but engrossing mixture of faltering humanity and arrogance desperate for an audience now lost to him. Other memorable performances include Bill Murray as the inept and very la-dee-dah actor Bunny Breckinridge; Jeffrey Jones as The Fabulous Criswell, celebrated “psychic” and occasional Wood actor; Lisa Marie as television’s “Vampira;” and Sarah Jessica Parker as Wood’s expeditiously wife and occasional actress Dolores Fuller. Indeed, there isn’t a erroneous brand in the entire cast true down to the bit players and extras.
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In terms of visual style, Tim Burton nails the very glimpse of an Ed Wood film in glittering dusky and white–but working with a budget that Wood never dreamed of he merges it with a series of classic Hollywood idioms that take the style out of Wood’s unfortunately flat style and into the realm of high art. In both peruse and direction, I strongly feel that this is Burton’s single finest film to date.
If the film has a flaw, it is that at times it recreates the flatness of an Ed Wood film a bit too precisely over too long a period–and the result can feel slightly dragged. And it is also a film that will register most clearly with those who have actually seen the films on which the movie focuses, so it may not appeal to the uninitiated. But for those who have the apt search for, it is a worthy film–and a film that desperately needs the DVD release that has been so repeatedly postponed. Wickedly comic, unexpectedly touching, extremely memorable… and strongly recommended.
GFT, Amazon Reviewer
Why create a movie about the man universally regarded as the worst filmmaker of all time?
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Well, simply because the word “worst” does not even adequately portray Ed Wood. He was the absolute, undisputable worst, unrivalled in his mindless disregard for decent production values, coherent storytelling, credible scriptwriting, and competent acting. If he were unbiased “the worst,” he would be no more than a mere footnote in cinematic history. But by single-handedly redefining the standards of ineptitude, Wood achieved that rare dwelling of lovable loser. I mean, really, you have to cherish someone who approaches his craft with so powerful grit and determination and so shrimp talent.
It takes an A-grade cast to bring to life this sage of Z-grade moviemaking. And we have one. Johnny Depp delivers a performance of fire in the title role, giving us a lot of insight into the character that Ed Wood was. Martin Landau (in an Oscar-winning performance) doesn’t unprejudiced characterize Bela Lugosi. By golly, he becomes Lugosi, almost convincing us that the awe movie account was resurrected for this project. Sarah Jessica Parker, Jeffrey Jones, Bill Murray, George “The Animal” Steele, and Lisa Marie comprise the ensemble cast that portrays a motley crew of wicked amateurs. Assume about it, these people had to re-enact the shooting of Wood’s movies, looking serious but coming out comical, and doing all that with a straight face.Try that, folks.
Appreciate too, the film’s most memorable line. At the premiere night of Understanding 9 From Outer Place, Wood declares with unqualified conviction: “This is it. This is the one I’ll be remembered for.”
Whether you’re a fan of dreadful movies or not, you simply have to gawk Ed Wood. It’s not often that a film comes along that makes you like a man who so admirably succeeded at being a failure.
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