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DON’T TEMPT ME (or SIN NOTICIAS DE DIOS in the current) is a comely, surreal, comical, and meaty bit of filmmaking of the type that we have reach to interrogate make the Spanish School of Cinema. Augustin Diaz Yanes both wrote and directed this intelligent parable and has cast it with some of the finest talent from around the globe. His exercise of shining dialogue, choices of cinematic technique, and speedily fire pacing drives this appetizing yarn along the paths of Bunuel, Almodovar, etc.
The plot: the corporate executives (American profiles of course – though played by British actors like Gemma Jones all speaking in English) of Hell have found a strong need to acquire the soul of a living boxer (Demian Bichir) to join them in Hell. The recruiter Jack (in a terrific performance by the extraordinarily gifted Gael Garcia Bernal) agrees to set worker Carmen (Penelope Cruz, finally in a role that allows her to exhibit her spacious range of acting skills from drama to comedy) to go to earth to finalize this corporate decision. Meanwhile, in Heaven (quite appropriately filmed in murky and white in Paris where the one in charge is Marina d’Angelo played with subtle charm by Fanny Ardant and using French as the language) the elected angel to foster the graceful admission of the boxer is Victoria Abril (more heavenly than ever and pulling off the aesthetic role as a chanteuse with aplomb) .
Cruz and Abril depart in with Bichir, become interested in the struggle over his soul as well as attempting to thwart the results of Bichir’s chaotic life as a has-been, in debt boxer. The remainder of the yarn is a assist and forth pitting of blooming and Hadean forces and their bungling of both sides of the pitch for Bichir’s soul. As the film ends, both the shaded and light angels become transiently human, and we learn what their next steps in their respective afterlives might be.
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Appropriately, this ‘comedy’ has many dramatic sides, as is requisite for a honest comedy. But rest assured with a cast of this caliber and the quality of direction of this surrealistic legend you will be thoroughly entertained. It is refreshing to have a movie travel in many languages while it parodies the source countries of each language frail to drawl a legend of apt vs sinister – and all that jazz!
I found this film surprisingly scrumptious, thanks to an absolutely outstanding cast, fairly incandescent writing, some sharp employ of surrealism with the sets, and a fun soundtrack. While the struggle-for-a-soul set was of moderate interest, it was really more of a vehicle for the other more fresh position elements, which distinguish this film from so many other heaven/hell parables. “Don’t Tempt Me” may not be the most profound film out there, but it is surely one of the more recent ones.
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