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I was looking forward to gape DOG SOLDIERS ever since I read a very safe article about it in a British anxiety film magazine. When I spotted the DVD here on amazon, I immediately ordered it.
DOG SOLDIERS revolves around a squad of British soldiers on a training mission in the Scottish highlands. Soon peculiar things commence happening. They encounter a badly wounded Special Operations officer, whom they buy with them. Attacked by werewolves, the squad suffers the first casualties but manages to originate a narrow hurry with the benefit of a young woman. After reaching a remote farm, things turn from dreadful to worse when their car is destroyed by their devilish furry foes. Besieged, with no radio or phone connection, despairetly trying not to panick and running out of ammo, a fierce fight ensues with the almost invincible werewolves…
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WOW! WOW! And again WOW! To my point of plan DOG SOLDIERS is one of the greatest dread films of all time, exceptionally well written, fastpaced with a strong storyline and likeable characters, who are not the mere monsterfodder as usual. You actually care for the sympathetic guys ( with the exception of the special operations officer ) . It is a dependable pleasure to study a panic flick without the usual cast of annoying teens. I also found it refreshing that DOG SOLDIERS lacks the comical humour considered indespensable by so many directors. The residence is very inventive and makes grand exhaust of the locations. DOG SOLDIERS is relatively violent and gory ( the disembowellment of the sergeant made me wince) but it is not splatter for splatter’s sake. And a dread movie without CGI is a actual viewing pleasure in itself.
Some remarks on the DVD:
You can settle between a widescreen and a fullframe presentation. As for extras, you have an audiocommentary, a featurette and two trailers, the international and the domestic one. The international one is widescreen, quite beneficial, but gives away too considerable of the film, while the domestic one is presented fullscreen and doesn’t do the film justice.
Every few years a alarm film comes along that simply wows genre fans. Maybe it has something to do with awesome gore effects, or a better than average station, or tall performances by previously unknown actors; it might even resemble something like “Dog Soldiers,” a modern film that contains all of the above mentioned attributes along with a nifty reworking of one of horror’s conventional touchstones: the werewolf myth. Whatever it is that makes a dismay film stand out, we need more movies that perceive like this one. “Dog Soldiers” seemed to near out of nowhere, like manna from heaven feeding weary alarm fans slogging through the deserts of slasher film retreads and the fresh trend of mediocre remakes. The fact that this tantalizing seize on the werewolf epic comes from the British Isles makes it even more powerful. The misty climes of the Scottish highlands are the perfect setting for such a bleak movie. Remember how successful “An American Werewolf in London” was when it took state in the same bleak atmosphere? You bag that type of oppressiveness in “Dog Soldiers” as well.
No one really believes in werewolves anymore. The whole business about people changing into bloodthirsty wolves when a plump moon comes out impartial doesn’t seem as scary in a world of serial killers and terrorism. And shooting a beast through the heart with a silver bullet or stabbing them with a silver blade? C’mon! Something as easy as that wouldn’t even turn Jason Voorhees’s head for a second! Yep, in today’s world you will need something remarkable more keen than a couple of hairy brutes roaming around in the woods once a month. Fortunately, you derive considerable more with “Dog Soldiers.” How about an entire family of werewolves, a squad of heavily armed soldiers on a training use in the wilds of Scotland, and a deserted house in the middle of nowhere? How about a guy courageous enough to assume on an eight-foot tremendous werewolf with his bare hands? How about enough gunfire to design “Scarface” observe like a Disney film? If you judge lycanthropes and assault weapons go together like milk and cookies, you will savor this film.
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The station is seductively simple: a squad of army regulars, including a tough as nails soldier who recently flunked out of SAS training because he wouldn’t shoot a dog, runs into more than they can handle during a routine exhaust out in the hills. They bid a group of SAS troops torn to pieces in the wild, and gather only one survivor of the group cowering nearby (who unprejudiced happens to be the guy who flunked our sturdy hero out of the SAS) . This colonel rants and raves about how there are more of “them” then we understanding, and how there’s no blueprint to terminate them, and other seemingly furious statements. One thing’s for certain: anything that can turn a group of SAS commandos into hamburger would send me running home to mother. The regular army guys witness this distress, too, and determine to slouch honest out of the hills and attend to civilization.
Regrettably, whatever attacked the SAS guys suddenly reappears to wreak havoc on our group of heroes. While fleeing through the woods from these dismal figures, the men stumble upon a vehicle driving along a country lane. As it turns out, the car contains a resplendent young lass who knows all about what’s going on in the woods. It’s werewolves out hunting for the night, she says, and as if to emphasis this point the lycanthropes attack the car. The group manages to obtain to a nearby house and barricade themselves inside, but the vehicle goes up in flames and now there is no design out until morning. The rest of the film consists of one lengthy combat scene after another, as the soldiers expend machine guns, blades, and their bare hands to enjoy off the group of angry wolves. Another thing: for some reason best left unsaid here, the werewolves seem to resent the soldiers holing up in this particular house. These guys unprejudiced cannot catch a shatter.
With the exception of one scene well into the movie that strains the bounds of believability, everything works in “Dog Soldiers.” The characters are intriguing and well developed, especially the Sergeant leading the platoon and the rejected SAS soldier. Even the outrageous SAS colonel who knows noteworthy more than he is letting on adds a fun dimension to the film. Throw in literally gallons of blood and gore, gallows humor dialogue, and pacing that fairly grabs you around the neck and you have a awe classic for the ages with this gem. I should also mention that “Dog Soldiers,” at one point in the movie, actually made me jump so high out of my chair that I nearly hit the ceiling. You probably won’t recognize this shock coming, and I won’t spoil it for you, but if you don’t react in some draw when it happens, you’re probably comatose. I salute a movie that can inspire such a jolt in my jaded system. It wouldn’t surprise me at all if “Dog Soldiers” gets a sequel in the reach future, if not for any immense box office numbers then for heavy rental numbers and eager praise from many dread fans. I could study this film again and again without ever getting tired of it, and I mediate you will like it too if you give it a chance.
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