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L: CHANGE THE WORLD is the spin-off of the highly successful DEATH Notice and DEATH NOTE: The Last Name. (Marketers would call it Death Imprint 3) The two films based on the Japanese silly book (also adapted into an anime series) were box-office hits all over Asia, so obviously, Japanese filmmakers, taking a page from Hollywood’s book intends to capitalize on its fame. However, the film seems more of an ode to the series and is aimed generally to diehard fans. Those queer with the two live action films may be alienated so I suggest you seek those first before viewing this film.
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The story occurs in the final 23 days L (Kenichi Matsuyama) has left in the world. A killer virus had killed the occupants of a exiguous village in Thailand. A feeble colleague named “F” discovers the secrets of the virus and sends a young boy somehow immune to the fatal disease to L’s doorstep. A few days later, 12-year aged Maki ( Mayuko Fukuda) also shows up with a different strain of the virus, described as a combination of Ebola and Influenza. Apparently, her father Nikaido (Shingo Tsurumi) had created the virus and a subversive group called “Blue Ship” is after it. Leader Dr. Kujo (Youki Kudoh) intends to spend it to change the world by ridding it of all the useless people who inhabit it–useless people are those who abuse our natural resources; so you can guess exactly impartial how many people they intend to eliminate.
The film cleverly takes area during the last 23 days of L’s existence. Changing the world by killing “useless” people? The first two films focused on the scum of the Earth, and the theme may be somewhat similar to the “Death Designate” franchise in its hold diagram. While “Death Sign” dealt with the supernatural and mystical world of “Death Gods”, this time around, the “death god” is man-made. “L: Change the World” isn’t really a unpleasant film but the absence of a proper effective villain such as Light Yagami, the film fails to sign. You may say that the villains in this film are gorgeous routine and the direction by Hideo Nakata while very competent, has so puny to work with. “Death Price 1 and 2″ were tubby of cerebral thrills and they kept me in the edge of my seat. The mind games between Light and L were the two films’ showstopper, and without an effective manga to aid this film up, the antagonists were left unexplored and their goals a shrimp too predictable.
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L is the same sugar-loving genius, punk rock refugee with abominable posture; quirky and pudgy of eccentric charisma. All these seem a exiguous wasted when the genius detective is site against a rather very underwhelming antagonist. Sadly, his displays of outsmarting and staying one step ahead of Dr. Kujo and Matoba neither immerses or impressed me. The main reason why the two Death Heed films were so successful is because they were beefy of surprises and at times quite difficult to predict what may happen next. Every trustworthy hero needs a favorable villain or his valid opposite. The film’s simple exposition makes the film a lot less thrilling and suspenseful but it does eliminate the complexities of the wordy dialogue that some viewers saw that it hampered “Death Tag” a itsy-bitsy. (not for me though)
Kenichi Matsuyama’s portrayal of L is endearing and charming, and the character does win a lot of character development in situation of displays of his super-intellect and cunning brain. The Death Sign series focused more on mind games and a somewhat convoluted plotline, this time around, the film focuses more on L’s personality. He develops a warm connection with the young boy (later named “Come”) who is also a mathematical genius. You peek more as to how L spends his last days, and it was quite engaging to examine him reject the temptation of the “notebook of death” by burning it. His involvement and compassion for Maki is quite satisfying as he tries his best to comfort her and shows that such an eccentric individual is superb of emotion. L’s “Crepe and Ice Cream mobile” do a smile on my face as I am positive fans will glean this very funny and cute (? ) . L also tries his hand at being an action hero but all we really survey him do is rush, climb and straighten his help.
L isn’t as compelling or spellbinding a figure without a mystical status with surprising twists or a nemesis such as Light Yagami; you may say they are two sides of the same coin. A hero is only made by the villain he faces? If the producers manage to form a formidable villain good of L’s supposed dazzling intelligence, a fresh franchise may work. The film unbiased isn’t as intense as its two predecessors but at least I found it fun to peruse. The film is a small slower-paced than I expected and suspense is only found on occasion and when they are, it may come by a bit redundant. The film unprejudiced doesn’t believe the darkness inherent in the “Death Label” live action films, but for die-hard fans of the series, this film is definitely composed worth a gawk. Others may feel itsy-bitsy lost and maybe a minute bored without knowledge of this character. This film wasn’t on par with “Death Impress” but at least it wasn’t as unpleasant as I feared.
Recommended timidly to fans of Death Imprint and a pleasant rental for everyone else [3 Stars]
Note: Death Trace and Death Note: the Last Name both reach highly recommended.
I knew this movie was a “roam off”…I knew this movie would not be about Light or the Death Heed (even though both are mentioned a few times…so with that said, I really enjoyed this movie. I loved seeing a more “personal” side of L. Its a piece of his character that HAD to be there, but was never shown in the Death Notice films. I recommend this movie to anyone that really enjoyed the Death Notice movies as distinguished as I did, objective don’t look L Change The World with any expectations, and allow yourselves to like it for what it is.
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