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This review will attempt to benefit those who already bear the Director’s Sever (or Superbit version), but who are thinking about also buying the newer “Current Uncut Version” (293 minutes on 2 DVDs) .
The first thing you should know is that the English dub has been largely redone; if you are familiar with the Director’s Gash dialogue, you will immediately survey that the English dub’s script has been changed in many places within the Uncut Version. In particular, the saltier comments throughout the movie have been deleted and replaced with worthy more ‘polite’ translations. Moreover several of the characters (Werner the war correspondent, Kriechbaum the Navigator, the boat’s second-in-command [whom is referred to as "Number One"], as well as the droll red-haired Second Officer, etc.) have received current voices in the English dub (if only in win places), and their scripts have been changed in numerous instances as well. I raise this as a exertion because I realize diehard fans may salvage these (sometimes unnecessary) dialogue changes irritating. This is the main flaw of this edition, in my conception.
While the Uncut Version soundtrack includes modern sound effects, and adds frequent narration in traditional footages areas (largely excerpts from Werner’s diary), short pieces of the unusual footage have not been remastered and gaze very grainy. Most of the fresh footage is however seamless and not of unacceptable quality (contra another reviewer) . The sections that have been neglected are mainly external shots of the uboat — in one such instance an determined blue line spans the vertical width of the conceal for about 20-30 seconds.
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The unique footage that appears in the Uncut Version is not simply superfluous addition either, but in a few instances actually clarifies or adds completely recent elements to the Director’s Slash storyline (I won’t waste that for you, suffice to say that some very spicy residence elements are introduced in this newer edition) . This carve is also noteworthy more pointed in depicting the stress, paranoia, unpleasant morale, and sheer boredom of the crew, who are shown praying, making mistakes, complaining, and doing many humdrum things fair to pass the time and ease the strain of being a submariner. Of interest is the enthusiasm that the crew eventually displays at the prospect of going into battle: not because that is what they have trained to do, but because anything is preferable to the endless waiting and resulting apathy between enemy contacts. Numerous conversations between various characters have been added, and minor characters that didn’t acquire it into the Director’s Edition appear in the Uncut Version. A few treats exist as well, such as a shot where the Second Officer can be more clearly seen using a Kreigsmarine four-rotor ENIGMA machine to decode a transmission. Most importantly of all, the original footage emphasizes the sense of watching the sage unfold through the eyes of the war correspondent, which is what Director Wolfgang Peterson originally intended. The original footage adds considerably to the picture’s atmosphere, and contributes famous characterization — particularly for Johann the Chief Engineer, the second-in-command, and Grade, the Chief of the Boat.
German with English subtitles is the default option, but an English dub with French subtitles is also available. The English track has been upgraded to Dolby 5.1.
This 2-DVD Uncut Version is highly recommended, but isn’t for everyone — price that it is deliberately aimed at the fan bad. This special-interest group is likely the only one this version of the film will please. If you’ve never seen Das Boot, borrow a friend’s copy of the shorter Director’s Nick first; when you’ve cultivated an appreciation for this benchmark in WWII filmmaking, approach abet and find this edition. I would not recommend buying this version if you’ve never seen the movie — it might turn you off due to its sheer length and relatively slower slump. Neither should the fan looking solely for special features grasp this Uncut Version – the featurette entitled: “The Making of Das Boot: Unhurried the Scenes” is a limited over seven (7) minutes long, and is mainly a justification for the re-release of the paunchy length crop.
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A member of the Das Boot `cult’ would be very tickled to survey the extra footage in this Uncut Version. If you’re a diehard fan, don’t assume twice; I bought mine even after having read the more negative reviews here. Four stars given for the substantive quality and importance of the novel footage to the overall picture; the image quality and sound in places is not perfect, and there are no unusual special features pleasant of the name, so this cleave cannot receive five stars. Since you are willing to sit through halt to 5 hours of Das Boot anyway, the instances of grainy novel footage shouldn’t overwhelm you. In all, the extra tidbits (in my estimation) are worth the money.
Any movie that is subtitled has to overcome a lot to bag me totally enthusiastic in its region. In the case of Germany’s eminent Submarine classic “Das Boot”, I don’t remember there being subtitles past the first five minutes. What originally drew me to the film was Jürgen Prochnow. He’s such a stout actor and he really impressed me in “Dune” and “The Seventh Brand”. As usual, his portrayal of the German Navy Captain is understated and yet impressively noteworthy.
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If you know your unusual history, you’ll be familiar with the German Submarine Command’s service history, during the Second World War. In the early years these subs caused havoc in the Atlantic Ocean and beyond, virtually bringing merchant shipping to a standstill. Over time however, the Allies’ newly commissioned sub-hunter ships challenged the German’s stealthy supremacy. Disappointingly, those enormous “sub verses sub” duels rarely happened during WWII.
Das Boot’s sage takes status in 1941, and gone were the days when “wolf-packs” of U-Boats ruled the seas. German subs were hounded everywhere they went, resulting in a survival rate that drew sympathy even from the Luftwaffe. Despite these desperate straits, the German high remark continued to score missions for the remaining sub crews. Naturally, the men making up these crews were a special breed, and as such, they drew a lot of attention from the civilian press around the world.
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In this case a newspaper correspondent called Lieutenant Werner, has joined the boat for the duration of its mission. Events unfold from his point of conception and so we can lose our misconceptions and innocence along with Werner. He has no responsibilities on board and is therefore under less stress that most, but at the same time he has nothing to distract him from the pressure of each enemy attack and the many fathoms of sea water over the sub.
Holding it all together, under unpleasant conditions, is a single man. The captain is a scruffy, mildly cynical, bastion of strength. He deals calmly with almost any place, drawing on a seemingly unlimited store of courage. He also uses this courage in the face his 1st Lieutenant, a goose-stepping Nazi loyalist, who disapproves of his captain’s lack of respect for Hitler, the high notify and grand else about Germany’s military efforts.
The film takes an even darker turn when, during the middle of their tour, the captain receives orders to originate a current mission; a mission which amounts to suicide. They are asked to enter the Mediterranean Sea via the Gibraltar Strait and form an attack on enemy shipping. The strait is very narrow and heavily monitored but the captain accepts his orders, devising a strategy that gives them at least some hope.
Not surprisingly, things go unpleasant from the commence. I’m not going into a blow by blow description. Suffice to say that every moment is chock bulky of dramatic tension and the relationships within the crew become more determined with every crisis. In the raze, the audience feels almost as exhausted as these mettlesome men, which makes the final scenes even more worthy.
One warning for those that want to explore this enchanting movie. Do not glimpse the dubbed version. In some versions, the converse acting is a joke and distracts build the account. Instead, stick to the subtitles. Trust me, you’re not going to leer them.
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