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Chushingura Streaming.
Movie Title: Chushingura Chushingura is available for streaming or downloading. |
This film is one of the two best Samurai films of all time, the other being Kurosawa’s SEVEN SAMURAI. CHUSHINGURA (“loyalty”) is based on a sincere incident in 18th century Japan, wherein 47 right retainers of a disgraced lord choose a hiss of vengeance on the wrong nobleman who caused his downfall and death. The legend is timeless, the acting is uniformly splendid, the camera work is so radiant that any frame of this film could be hung in an art gallery, and the music is absorbing and heart-lifting. It’s a complex place, following many separate individuals as their vengeance unfolds, so first-time viewers may bag confused. No matter — it all comes together at the raze. Peruse for the tedious stout Toshiro Mifune in a cameo role as a Master Spearman who becomes drinking buddies with one of the 47, and who takes it upon himself to fill off the cops in the final showdown so that his pal and the other 46 won’t be interrupted before they can accumulate and behead the dreadful guy and fulfill their boom. I have watched this movie many, many times, and I always score something modern and incredible in it. Now that it’s FINALLY available on video, don’t miss it!!
Despite the film’s division into two parts, I believe the Chushingura is best understood as a complicated sage told in three acts.
The first act, culminating in the seppuku of Lord Asano, details the conflict between the young lord and Kira, the Shogun’s master of ceremonies, and is, in my understanding, the most spellbinding as it unfolds logically, tragically, and inevitably towards the spilling of blood in the Shogun’s castle. Asano and Kira, at least in this stage of the film, are fully realized and three-dimensional characters, and their conflict can be understood on several levels: idealism versus pragmatism; rural versus urban; and, most centrally, a conflict between different conceptions of honor. Kira is slighted because Asano won’t exhibit him the deference he feels he deserves, and Asano cannot score Kira’s attempt to relate him a lesson without fatally wounding his pride. The characters feel actual because the status is developed so carefully, and we as viewers understand why the necessary actors behave as they do.
I judge the movie bogs down a bit in the second act where the retainers of Asana status their revenge on Kira. I also feel it is at this point that those outlandish with this record may derive it difficult to follow the position. Like the assassination of Thomas Becket in 12th century England, the memoir of the 47 steady retainers has left the historian with not only a wealth of indispensable documents but also of contemporary analysis of exactly how the events were interpreted. Whereas Becket’s cancel resonated because of the changing perceptions of the limits of temporal power in medieval Europe, the 47 ronin assume the changing nature of samurai honor following the pacification of Japan under the Tokugawa shogunate. Unfortunately, the movie does minute to justify the issues eager despite a three and half hour presentation. The historical Oishi, for instance, worked patiently slack the scenes for years to restore the clan’s honor and holdings under the leadership of Asano’s younger brother whereas Horibe represented the more radical conception that the ronin owed personal allegiance only to their plain lord. In the movie, by inequity, Oishi makes reference to restoring the clan and questions Asano’s judgment at the castle, but it is absolutely unclear in the context of the film whether this represents his suitable beliefs or is simply fragment of the feint to divert attention from the space to raze Kira. It is, in fact, hard to ever discern exactly what Oishi is planning, even in hindsight. Horibe, as the leader of the other coast of the retainers, fairs worse, emerging only as Toshiro Mifune’s drinking buddy (Mifune, though always delicious to peep, is largely wasted in a sub-plot that is completely superfluous to the fable) . I don’t request complete historical fidelity, but I do ask the events to acquire coherently and to address the main issues of the anecdote. I’m not saying that it is a complete mess, fair that it is hard to follow at times, and it is not always distinct what motivates the characters, and, as film usually does, some of the subtleties of the sincere events are lost.
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Thankfully, the engaging and famed battle in the snow largely redeems any momentary flagging of interest. My only quibble is that Kira has degenerated by this point into an absolute caricature of his previous self, becoming the embodiment of the man without honor. I suspect this is incorporated less from history and more from the popularizations of this anecdote, e.g., the various kabuki stagings.
Others have spoken of the dazzling visuals, so I won’t belabor the point. Suffice it to say this alone is a respectable reason to peer this film. Others have also spoken of the stupid run. This is also honest, and if you seek information from a tight focus in your movies, this one probably isn’t for you.
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