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I watched “The Bridge to Terabithia” on a whim with my wife and daughter with small foreknowledge of the residence. I’d never read the Newbery Award-winning book by Katherine Paterson, and I’d seen only one trailer for the film, which left me with the impression it would be a Narnia knock-off. It’s not.
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I’m not dissing “The Chronicles of Narnia,” which in its blueprint was a considerable film. But “Terabithia” didn’t deserve the CGI-laden marketing campaign it received; far from a fantasy blockbuster, this is a deep and thoughtful movie that places substance over sparkle — a rare treat in the sprawling field of youth-oriented theater. It ranks up there with one of my favorites, “The Secret of Roan Inish,” which accomplished more with no special effects than most family-friendly movies could with a billion-dollar budget.
But I fair can’t shake “Terabithia” from my head, a fact owed mostly to the performance of AnnaSophia Robb. As Leslie, a intelligent young girl with a fiery imagination and endless suited cheer, AnnaSophia captured my heart. She’s the kind of person you want to know when you’re a child and, as my wife remarked midway through the film, she’s the sort of young woman you’d be pleased to spy your daughter grow up to be.
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An outsider despite her youthful suited looks and family wealth, she finds her perfect match in Jesse (Joss Hutcherson), another outsider who has withdrawn into his art to elope a cold home life and his contain problems at school. Together, they peruse a secret getaway that might seem like a fairly ordinary patch of woods to most people; to them, it’s a magical world replete with astounding creatures, hidden dangers and fantastic triumphs. It’s here the special effects intrude more than accentuate the film; the account would have benefited from a vaguer sense of Jesse and Leslie’s occupy wonder. We don’t need to search for CGI creatures to absorb that these two children do.
The strength here, besides outstanding performances from the two lead actors, is the impact of a sage that knows no amount of fantasy can prevent real-life tragedies from occurring. And the tragedy here — it’s hard to write about it without giving it away — slams into unsuspecting viewers like a sudden kick to the gut.
Parents of younger viewers should be prepared to have a long and serious talk with their children after this movie, but that’s not a recommendation to avoid it. “Terabithia” deserves to be seen, discussed and seen again. (Although spend some discretion; very young children should wait before seeing this.) My thanks to director Gabor Csupo, as well as writer Paterson, for giving kids something just and loyal rather than another serving of high-energy fluff.
by Tom Knapp, Rambles.(n e t) editor
I read the modern book The Bridge to Terabithia when I was a kid. I don’t remember very considerable from the book, but I remembered the general premise and the ending. When I originally read it, I really liked the book. So, obviously, when hearing that they were making it into a movie, I was very skeptical. Most proper books don’t translate into agreeable movies. Then I saw the previews for the movie, and I was even more skeptical. This was not a book about fantasy lands and magical beings. This is no Chronicles of Narnia. I reflect it’s remarkable better, but it’s certainly different.
This movie is about friendship, and imagination. It’s the anecdote of two fifth-graders, Jesse and Leslie, next-door neighbors, who are both outcasts. They aren’t readily well-liked in school, and aren’t in admire with their home lives, either. They grow a quick friendship where they “depart” to an imaginary land, Terabithia. In reality, it’s fair the woods tedious their houses. All of the CGI that you glance advertised is simply their imagination, and there’s really very itsy-bitsy of it. Unbiased about every CGI-animated scene in the movie is shown in the previews. That is NOT what this movie is about, although that’s what Disney would have you have. It’s about imagination and creativity, and how children should be encouraged to exhaust that imagination.
I have a dilemma with all of the parents giving this movie unpleasant reviews because they say it’s not child-appropriate. I don’t have an conception as to whether or not it’s appropriate for children, that’s for each individual parent to choose. Some kids can handle it, some can’t. It doesn’t recall distinguished research, however, to accept out that this is not the happiest of stories. Any parent who really cares about what their kids scrutinize is going to research the movie BEFORE allowing their kids to gaze it. That involves either looking it up online, asking friends who have already seen it (or read the book), or watching it themselves FIRST to mask what their children ogle. I will not destroy the sage by saying what happens, but if you really want to know, employ five minutes doing some research. Read the other reviews on this page, for crying out loud. But if you bring your kids to a movie that you haven’t researched at all and it’s not what you put a question to, don’t blame the movie for your lack of difficulty. I understand Disney falsely advertised this movie, of course they did. Advertising it as another Chronicles of Narnia is certainly going to bring more sales in. But this movie is VERY Apt. One reviewer said you have to be masochistic to indulge in a movie like this. I don’t hold that’s honest. You simply have to be pleased a well-told yarn. Sometimes life sucks, and sometimes really dreadful things happen. That’s what the book was about, and this movie is faithful to that memoir.
I’m in my mid-twenties. When I went to explore this, I went with a few friends of mine, all of us adults. Every one of us loved it. The two main actors (the two kids) are REALLY generous. Jesse is the introvert and Leslie is the extrovert. You really choose into their friendship as you scrutinize them learn to know one another. You want Jesse to punch the bully in the face; you want Leslie to stand up to the eighth-grader.
By the kill, you could hear plenty of sniffles throughout the audience, including coming from my friends. Heck, I knew the memoir beforehand, and I composed teared up. It’s difficult to peer, but I own the tale was handled with very distinguished care by Disney. Overall, this is an advantageous movie, if not with reservations. If you’re concerned with what your children peep, then exhaust some time and gather out what’s in the plotline. But this movie is really beneficial.
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