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When AVP went into production fans of both the Alien and Predator movies were very angry, but a shrimp hope was lost when it was announced Paul WS Anderson was the writer/director; but what really got fans going crazy was when the rating was PG-13. While one cannot insist there were flaws with AVP it had more to do with the writing than anything else. Anderson’s scripts often feel like an early draft rather than final shooting script. All the Alien and Predator movies were R-rated and no doubt AVP should have as well, but when all was said and done the PG-13 rating isn’t what distress AVP. Yes it could have aged more gore and action, but the problems again were with the writing.
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With AVP-R announced without Paul Anderson being interested and the movie being made with an R-Rating fans were once again furious. And to be totally fair after watching AVP-R I contemplate I’d mighty rather have Paul Anderson fervent. AVP-R was a rather dreadful movie, while there was potential without Anderson I really deem we would have been better off with him.
The biggest spot with AVP-R is the lighting. Daniel Pearl was the DP and from what I have seen from him I have liked. He did the new Texas Chainsaw Massacre so honest there he gets my respect, but the lighting here was unpleasant. There was more gore than AVP, but we can’t witness it! I don’t know if Daniel Pearl was to blame or if it was Colin & Greg Strause who are the directors are too blame. Since Pearl is the DP I have to blame him. Watching this movie at times is sort of like watching a movie with your eyes closed. That was the biggest dilemma here, but not the only plight.
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The screenplay by Shane Salerno was abominable. There were far too many characters to retain track of and all were so poorly written and lack any depth at all. AVP-R is the type of movie that when all is said and done you’ll be hard pressed to remember the names of any of the characters. The script was really abominable. It’s like Shane Salerno didn’t even bother to try. We have the fan nefarious for the Alien and Predator movies and well they’ll search for anything we spit out. Once again Hollywood treats us like idiots.
Directors Colin & Greg Strause fail at brining any suspense and tension and with the unpleasant lighting not great of a surprise their scenes lack any of that. The action scenes are decent, but again since we can barley survey them they fail at brining any excitement. There were a couple of solid scenes, but not nearly enough to secure this movie. Had I actually been able to watch what was happening maybe AVP-R wouldn’t have failed as noteworthy as it did; by no means would this be a ample movie, but slightly better. The final act is the worst offender; the scenes in the hospital for the climax are so dusky that if you have any interest left in the movie by this point you’ll probably lose it.
AVP-R proved that the rating of AVP had nothing to do with its failure. Would an R-rating have made AVP better? Odds are yes very slightly better, but no scheme would it have been immense. Like I said earlier the PG-13 rating didn’t distress AVP as noteworthy as the writing and this movie proved that. AVP-R was R-rated and wasn’t as excellent as AVP, which was average at best. A lot has changed over the years, aid in the 70s and 80s many movies were butchered by the MPAA and if released now most of these titles would obvious and R-rating with ease and some would feature minor cuts and not be totally butchered. If AVP was released aid in the 80s or mid 90s it would possibly acquire an R-rating.
Times have changed though and AVP pulled off the PG-13, but it is slightly more obscene than most PG-13 flicks. Paul Anderson is hated by legions of Horror/Sci-Fi fans and while I can’t say I like the guys work I don’t abominate it. I can tolerate him, but barley. And honestly I never view I would say to myself I wish Paul Anderson did this and while watching AVP-R I found myself wishing Anderson would have done it.
These nefarious over movies almost always seem to fail. Attend in the 40s Universal did it with their monster movies and while some were fun none of them were as honorable as the monsters on their hold. So when it came to AVP I wasn’t expecting anything like the movies from either series. Besides being a Vs movie it’s also a sequel to both Alien and Predator and honestly with some exceptions as a series goes on they don’t procure better they might end scrumptious if lucky. With AVP-R I was simply expecting some mindless fun, and while it was very mindless the makers forgot about the fun portion.
For the hardcore fans of the Alien and Predator movies are the only ones who should gawk this, but I doubt this movie will live up to your expectations. This one doesn’t good the problems found in AVP it honest creates its possess and far worse problems. With better lighting AVP-R would have been better, but level-headed not very superior either.
This is one of the worst films I have ever seen (try to gawk) and a obscene abuse of one of the greatest movie monsters of all time. The Alien is no longer scary. Gone is the elegance. Gone is the menace and chilling patience. Made by people who know how to get FX but have no trusty notion about how to gain a movie. I sometimes wondered if they were making fun of what had gone before, like a Zucker/Abrams flick as it seemed to veer into what could be construed as parody. Sadly, no.
I knew going in it would be dreadful, and that it would probably be yet another nail in the coffin of my current sci-fi sequels (“Alien” in my case, though I do savor the “Predator” films) . I had seen the “redband” trailer, and stared in terror at its frenetic menagerie of 80s teen slasher clichés; I even watched the “unique” online clip of the film’s first five minutes, and hoped that they had been edited down from a better-paced current (as it turned out, they had not) . But even so, I gave the movie a shot. Why? I’m not determined. Perhaps because if a beloved artifice that one has admired for years is to be systematically dismantled and thrown on the trash heap, one should be there to contemplate it burn. At least, I opinion, with my expectations this vulgar, this movie’s directors would have to try very hard to undercut them.
They did. I mean really, they must have tried hard. It takes some kind of wretchedness to hold two of the most durable mythologies in original scifi and accomplish them a backdrop to a pizza guy’s coming of age. Seriously. That is the only discernible story-arc in this entire film. Truth be told I could forgive even that if the characters hadn’t came pre-assembled moral out of the teen movie stock barrel. Instead this film spends 40 minutes trying to construct us care whether Smarmy Teen gets it off with Hot Blonde before Blond Bully Ex-Boyfriend finds out. Thank God he has Worried Ex-Con Brother (who trumps in along with his buddy, Nice Cop) to attend him out once the aliens (who approach courtesy of “disturbing” evisceration of Elated Hunting Dad and his son, Captivating Preteen) launch to buy out the population (such as Mumbling Bum Who No One Will Ever Enjoy and Dense Cop Who Keeps Looking In The Sad After Everyone Else Has Left) . They soon meet up with Screaming Bereft Mother and Military Chick, who saves her daughter Cute Shrimp Girl after her husband Wussy Current Man is vivisected in line with tradition.
Honestly, with this zoo of automated plot-bots to manage, how do the aliens and the predators (actually a Predator) salvage a observe in? Well in truth, they don’t. Very slight time is spent developing either character (and let’s face it, since neither character actually talks, that isn’t surprising) and any tension built up between them is hasty dissipated as the film returns to the interminable “I Know What You Did Last Summer” slasher station. I’m not distinct what sort of budget this had but you can gawk that money spent on each subsequent Alien or Predator film is getting less & less, with average special effects, no name actors, bland locations & surprisingly cheap looking production values. Please terminate embarrassing yourselves even further.
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