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There is so mighty to brag about in this movie it is hard to know where to inaugurate.
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First, Peter Sellers, probably the most talented film comedian of his generation, gives a bravura performance as a professional crook, Aldo Venucci, trying to do one last vast accumulate, The Gold of Cairo. His performance is so nuanced, hysterical (with the Italian accent) and proper, that he really IS the movie. I say that not to disparage the rest of the cast, who are all astonishing.
Second, the totally whacky script by Neil Simon is new, and so paunchy of droll lines that arrive at you so lickety-split, that you are in serious exertion of your sides splitting if you don’t stay the video in places!!!
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Victor Primitive, playing an over the hill actor who doesn’t believe he is, and Marty Balsam, his suspicious and totally inflamed agent, who tries to convince him that he is not as young as he thinks, are a terrific team and have their bear funny chemistry.
Seller’s wife at the time, Britt Eckland, plays Sellers’ sister, a star struck young woman who dreams of being an actress. She is very excellent in her fragment.
Akim Tamiroff, whose character stole the Gold of Cairo originally, adds a touch of Middle Eastern flavor and mystery to the movie. (Men … dig his sister. What a babe!)
There are some nicely placed barbs at the movies of Antonioni,
(there is one scene where they impartial trudge each other, Eckland and Extinct) . When the agent (Balsam) asks the meaning of the whole thing,the director, Sellers, replies “No matter how like a flash you accelerate, you can’t urge away from yourself.” The Archaic character throws a kiss at him and responds, “Colorful!” If you’ve seen some Antonioni movies, you’ll understand the satire.
It is impossible to bewitch out one best scene, but one of my favorites is when Passe, Balsam, and Sellers meet in his hotel room to discuss to proposed movie, and Sellers receives a phone call. “Oh hello Sophia. My darling I told you there is no share in my fresh characterize for you … Sophia please, you are getting hysterical …” At this point, he hands the phone to Marty Balsam and asks him to unruffled her down. He gets on the phone, and the next shot is in a phone booth, where one of Sellers’ cohorts is on the phone. When Balsam, comes on he hurriedly hangs up. Well, you have to notice it. But the whole scene is hilarious.
If you are a Peter Sellers fan, treasure gargantuan comedy, you must have this film. I’ve viewed it countless times and it fair gets funnier and funnier.
This is one of the best movies that I have ever seen. I am a fan of 1960′s style comedies. I would rate this as top-notch to Peter Seller’s work in the Pink Panther series.
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Every aspect of this movie is beneficial. This film had a most current co-writing team: Neil Simon, one of America’s foremost playwrights and Cesare Zavattini, a major Italian silly screenwriter. Also ticket that Peter Sellers sings the title song, “After the Fox,” written by Burt Bacharach and Hal David, along with the 1960′s rock group The Hollies. Vittorio De Sica, the film’s director, is better known as one of the pioneers of Italian Neorealist filmmaking.
Peter Sellers is at his best as an ingenius thief who is constantly in and out of jail, who undertakes a job to smuggle stolen gold in order to bag enough money to provide for his Mother and Sister.
The supporting cast was apt. From the aging well-known actor, to the Fox’s sister, the Fox’s two henchmen, the Fox’s mother, the town mayor, the chief of police, the renowned actor’s agent. Everyone was well selected.
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All scenes were EXTREMELY memorable & HILARIOUSLY funny: the italian restaurant scene where Sellers talks to a glowing woman with a man’s narrate, the 1st prison hurry scene where Sellers tricks the guards, the 2nd elope scene where Sellers tricks the guards, the interpol scene where they go through the list of suspected criminals (most of whom are at retirement age), the scene where he ad libs fallacious movie scenes to preserve people busy while waiting for the gold shipment to come (And now you are sitting…but not talking to each other…no talking!…and ACTION!)
The film is also famous for it’s catchphrases: “Trustworthy Morning!” will forever bring a smile to your face.
For me there was also a personal connection: I felt like I was walking the streets of Italy in the 1960′s (roughly a runt after the time that my Grandparents had emigrated from Italy to Canada)
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